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Obtained the positive verification of the curriculum by the Council of Universities, prior to the favorable report of the National Agency for the Evaluation of Quality and Accreditation, and once established the official character of the Title by Agreement of the Council of Ministers of 12 November 2010 (BOE of 16 December 2010),
This Rectorate, in accordance with the provisions of Article 35.4 of the Organic Law 6/2001, of 21 December, of Universities, in the wording given by the Organic Law 4/2007, of 12 April, has resolved to order the publication of the Study plan leading to the obtaining of the degree of Master's degree in General and Comparative Literature by the University of Seville, which will be structured according to the following annexes.
Sevilla, July 20, 2011. -Rector, Joaquin Luque Rodríguez.
ANNEX
UNIVERSITY MASTER ' S CURRICULUM IN GENERAL LITERATURE AND COMPARED TO THE UNIVERSITY OF SEVILLE
Knowledge Branch: Arts and Humanities
Partition Center: Faculty of Philology
Distribution of the curriculum in ECTS credits by type of subject
| Credits | ||
|---|---|---|
|
O |
Required | 15 |
| P | Optives | |
| T | ||
| Total | 60 | Total |
Structure of the teachings by modules
| Module | Allocate | Subject Type | |||
|---|---|---|---|---|---|
|
Canon Bases: The Greco-Latin Tradition. | The Epic Cosmovision in Tradition Western: Homer and Virgilio. | P | |||
| P | 4 | ||||
|
Metamorphosis in the Western Tradition: Rewrites and Recreations. | P | 4 | |||
|
Motives and Structures of the Classical Lyric in the History of Western Poetry. | P | 4 | |||
| The Fantastic Account of Hoffmann to Borges. | P | 4 | |||
|
European Romanticism. from the Concept of the Sublime to the Grotesque. | P | 4 | |||
| P | 4 | ||||
|
and Social Critic in the 19th Century. | P | 4 | |||
| The Literature in his Relationship with Other Arts. | Literary Speech and Film Speech. the Guion at the Borders of Literature. | P | |||
| The Relationships Between Literature and Music. from opera to Jazz. | P | ||||
| and Painting: Correlation, Images, Allegories. | P | 4 | |||
|
Comparative Literature and Generals Theory Literary. | Comparative Lyric and Metric Theory. | P | 4 | ||
| Narrative Theory. | P |
| |||
| P | P | P |
| ||
|
P | 4 |
||||
|
Models of the Literary Canon: The Fundamentals of Modern Literatures. |
Dante and Renaissance Humanism. | P | 4 | ||
|
Creation of the Modern Novel: The Theory and Reception of the Quijote. | P | 4 | |||
|
The Thousand and One Nights and their Reception in the West. | P | ||||
| P | 4 | ||||
| William Shakespeare and the Theatrical Revolution in Europe. | P | 4 | |||
| Comstop Literature Principles and Methods. |
| O | 5 | ||
|
History and Principles of Comparative Literature. | O | 5 | |||
|
Methods and Problems of Literature Compared. | O | 5 | |||
| Rewrites and New Discourses to the Literary Canon in Contemporary Literature. | The Speech from Memory in the Current European Narrative. | P | 4 | ||
|
The Subject and Construction of the Identity: Interculturality, Migration, and Discourses of Alterity. | P | 4 | |||
| New Narrative Strategies in the 20th Century. | P | 4 | |||
|
Society and Compromise in the European Narrative of the XX and XXI Siglos. | P |
4 | |||
|
End Master. | Master's End Job. | T | 9 |
