Chapter 1	Objective
Chapter 2	The Royal Theater and Chapel
Chapter 3	The theatre and other institutions of the performing arts with particular tasks
Chapter 4	(Aphat)
Chapter 5	(Aphat)
Chapter 6	The Copenhagen Conference of Theatre
Chapter 7	Egsteater
Chapter 7 a	Small urban theaters in Copenhagen, Frederiksberg, Odense, Aarhus and Aalborg Municipalities
Chapter 8	The State ArstFund
Chapter 9	Dissemination of theatre performances
Chapter 10	Special provisions relating to children's theatre and seeking theatre
Chapter 11	Amateur theatre
Chapter 12	Theater education
Chapter 12 a	(Aphat)
Chapter 13	General conditions for aid in accordance with Chapter 3-8
Chapter 13 a	Accounts receivers and audits for beneficiaries of Chapter 7-7a
Chapter 14	Entry into force

Publication of the Scene Scene Act

This is announced to be the scene of the performing arts, cf. Law Order no. 526 of 4. June 2012, with the changes resulting from section 16 of Law No 458 of 8. May 2013.

Chapter 1

Objective

§ 1. The purpose of the law is to promote the performing arts and the cultural life that links them to this country in Denmark.

Chapter 2

The Royal Theater and Chapel

§ 2. The Royal Theatre and Chapel are the National Scene of Denmark. The theatre must produce a repertoire of high artistic quality in the ballet, opera and performance of a high level of artistic quality. Special account shall be taken of Danish works. The Royal Theatre must continue with traditional traditions, while, at the same time, developing a modern-day performing arts at the same time.

Paragraph 2. The Royal Theatre must be extended throughout the country through its turnetics. In addition, the theatre is able to conduct turnees abroad.

Paragraph 3. The Royal Theatre have the task of creating the possibility that the national production of the national stage can be made accessible to a broad public by broadcasting in radio and television, as well as through the sale of recordings. The theatre must also contribute to the best possible use of this facility.

Paragraph 4. The Royal Theatre can operate educational activities within its areas of work.

Paragraph 5. The Royal Chapel will include at the opera, the ball and the acting, and may be able to perform at the same time the concert company.

§ 3. The Royal Theatre is a state company that is led by a board of directors of up to eight members appointed by the Minister for Culture.

Paragraph 2. 6 members shall be designated by the Minister for Culture and shall represent cultural and management insight.

Paragraph 3. The members of the Royal Theatre may appoint two representatives of the Board of Directors. Employees ' representatives are protected from dismissal and other deterioration in conditions in the same way as confidence representatives in the area or similar area.

Paragraph 4. The Minister of Culture establishes rules for the employees ' choice of board member.

Paragraph 5. Among the honourable Members, the President-in-Office and Vice-President

Paragraph 6. The shizards apply for four years. Immediate rebeckering can only take place once.

Paragraph 7. In the event of withdrawal, a new member will be appointed for the remaining part of the period.

Paragraph 8. The Management Board shall be endorsed by the President and in his absence by the Vice-President.

§ 4. The Management Board shall be the chief executive of the Royal Teats and, to the Minister for Culture, the overall responsibility for ensuring compliance with the provisions of the establishment of the theatre.

Paragraph 2. The Minister for Culture shall adopt a recommendation from the Administrative Board for the Royal Theatre of the Contest.

Paragraph 3. The Management Board shall, by way of recommendation from the Governing Board, decide on the budget within the framework laid down in the Financial Regulation and on the conclusion and termination of collective agreements to which the Finance Minister may have been authorised.

Paragraph 4. The board of directors is deciding on the composition of a management board.

Paragraph 5. The Management Board shall hire the chairman of the theatre manager and the members of the Executive Board.

Paragraph 6. The Management Board shall adopt its rules of procedure.

§ 4 a. The theatre manager is responsible for the day-to-day management of the Royal Theatre and will work together with the other Executive Board's repertoids and proposals for the budget.

Paragraph 2. The artistic bosses are responsible to the theatre manager, the day-to-day administration of the acting, ballet, opera and chapel.

Chapter 3

The theatre and other institutions of the performing arts with particular tasks

§ 5. The State may grant grants to theatres and other institutions at the performing arts area, which :

1) provide theatre in the part where they are located,

2) Provider rotending theatribe in the country,

3) specialises in a landseland or throughout the country ;

4) performing special tasks on the stage area of the parts of the country or of the country ; or

5) assisting the development of the performing arts through experimental activities or special initiatives, including international activities.

Paragraph 2. The Minister for Culture shall lay down detailed rules on the conditions of grant granted in accordance with paragraph 1. 1, including those relating to the management boards, organisation and management, and the purpose, the alsiability of the repertoire and the taking of specialties and special tasks.

§ 6. The state's appropriation after section 5 is determined on the annual financial laws.

§ 7. (Aphat)

Chapter 4

(Aphat)

§ 8-10. (Aphat)

Chapter 5

(Aphat)

§ 11 13. (Aphat)

Chapter 6

The Copenhagen Conference of Theatre

§ 14. The Copenhagen Summit is a self-contained institution which aims to support the operation of a number of theatres in the main area of the area. The Copenhagen Summit may, after dialogue with the theatrics of the system, perform a number of administrative functions on behalf of the theatrics.

Paragraph 2. The institution is based in the main area of the area.

§ 14 a. The State can grant subsidies to the Copenhagen Conference of the European Union. Statens appropriation shall be determined on the annual financial laws.

Section 14 b. The Copenhagen Summit provides for the overall subsidy framework for the financial assistance provided for in the scheme, in the form of grants for operation and production. Moreover, within the scope of the subsidy, special funds shall be allocated to capital deposits.

§ 14 c. (Aphat)

§ 14 d. The state aid grant to the Copenhagen Conference of the European Union is managed by the Management Board of the European Union for the Cooperation of the European Union. The Management Board shall conclude multi-annual agreements with the individual theatres of the size of grants for operation and production and on the artistic and repertoid profile of the theatre. The Management Board shall decide on the allocation of the special deposits to capital deposits.

Paragraph 2. The Management Board shall take a decision on the theatres to be offered in the form of the Copenhagen theatre cooperation. The Management Board may, in this connection, take a decision on the entry or exit of the European Union of the Theatre to the Committee on Theater.

Paragraph 3. The Management Board may decide that the operating surplus of a certain size of the part of the individual theatre must be redirected to the Copenhagen Conference of Theater, and shall be included in the funds allocated between the theatrics of the scheme and to capital deposits.

Paragraph 4. Decisions to be taken by the Copenhagen Conference of the Council cannot be brought to a higher administrative authority.

§ 14 e. The Minister of Culture shall lay down detailed rules on the conditions for grants to the Copenhagen Conference of Theatre and the individual theatres in the scheme, including those relating to the management boards, organisation, management and alsistence of the repertoire, and whether : the forms and guidelines of supervision.

Chapter 7

Egsteater

§ 15. A professional producer is a professional producer of production, which offers ideas over the theatrical season, and which has its head office outside of Copenhagen, Frederiksberg, Odense, Aarhus and Aalborg Municipalities. A region must have at least two productions annually, a fixed location, anchorage and financed wholly or in part by one or more municipalities.

Paragraph 2. The primary task of a region is to produce and act theatre performances, including, for example, dance theatre, music theatre, opera, performance theater, or experimental theatre for adults, children and young people. Turnling can be part of the activities of the region, but a part of the company must be stationary. In addition, the airs must also contribute to the development of the performing arts in the local environment where they are anchored in.

Paragraph 3. The State Arts Fund determines whether a theatre can be characterized as a professional production theatre and, by the way, satisfies the requirements of an egomat which has been set in stk.1.

§ 15 a. The state grants a partial reimbursement of the municipalities ' operating grants to the regional theatre.

Paragraph 2. The amount of the reimbursement may not exceed 50%. the municipal expenditure. The percentage of the retroreflecting percentage shall be calculated as the ratio between the State appropriation to the area of eligibility of the Finance Bill and the total municipal expenditure for operating grants to the appropriate atres.

Paragraph 3. The State reimbursement of the operating grants of one or more of the municipalities ' s operating grants to the individual region shall be granted if a four-year-year-year-year-year agreement on operating grants has been concluded with the individual eggplant confinals, cf. however, section 15 d (s), 2.

Paragraph 4. No refund may be granted to the regional authorities provided by municipalities that are not covered by the area of the area of the area of the rules on the application of the area.

Paragraph 5. The annual municipal operating grants to the individual area must constitute a minimum amount to be determined on the Finance Bill. Deposits granted by the State after Section 15 (b) are part of the calculation of whether the municipal operating grants shall be the minimum amount.

Paragraph 6. The creation of new egroares may be set out in paragraph 1. 5 will be departed during the initial contract period.

Paragraph 7. The State reimbursement of the municipalities ' s operating grants to the individual area is granted within a maximum amount of the financial bill. Deposits granted by the State after Section 15 b are included in the calculation of whether the municipal operating rate exceeds this maximum amount. If several municipalities are jointly operating grants to a region, this maximum amount may be increased in the context of the conclusion of a new agreement so that the state subsidy amounts to an amount equal to the sum of the state grants to be awarded by the individual subsidy ; from a connected municipality can trigger. In conjunction with the formation of two or more already approved eggaters, the maximum amount may be increased in connection with the conclusion of a new agreement. The calculation basis for the granting of state grants shall amount to a sum corresponding to the sum of the municipal grants for each of the approved eggaters that are part of the merger.

Paragraph 8. Deposits to the rent can only be until 15%. of the total public operating grants to the individual area of egomers.

Niner. 9. The Minister for Culture lays down detailed rules for the reimbursement of operating grants to the appropriate atres, including the calculation of reimbursement and so on.

Paragraph 10. The Minister for Culture may, in connection with the conclusion of cultural agreements, with municipalities and so on derogating from the provisions of paragraph 1. 1-8.

§ 15 b. The State may provide an operating grant to the region-theatres which were previously received from an amt municipality.

Paragraph 2. The Minister for Culture shall lay down detailed rules on subsidies granted under paragraph 1. 1, including criteria for award of grants.

Paragraph 3. The Minister for Culture may, in connection with the conclusion of cultural agreements, with municipalities and so on derogating from the provisions of paragraph 1. One and two.

§ 15 c. The State may grant aid to quality development projects within a monetary framework to be laid down in the area of eggings at the appropriate level of the financial bill.

Paragraph 2. Deposits for paragraph 1. 1 will be distributed by the State Arts Fund.

Paragraph 3. The State's Arts Fund may be able to use parts of the financial framework in accordance with paragraph 1. 1 for the evaluation of the egroatics.

Paragraph 4. Subsidition of grants under paragraph 1. 2 may not be brought to higher administrative authority.

§ 15 d. The State's Art Fund can initiate evaluation of the egomatais. The evaluation shall be conducted in the area of dialogue with the right of egomanisation and the grant of the grant of the grant of the State.

Paragraph 2. The State Arts Fund may, after an evaluation in accordance with paragraph 1, 1 in cases where the professional and artistic and artistic level of the theatre does not meet the general level of the suicidal rates and where developments are not assessed possible, state reimbursement after § 15 a and subsidy after Section 15 b ceases. Expiration of the state subsidy may only be carried out in the context of the expiry of the relevant egomatic agreement.

Paragraph 3. Decision pursuant to paragraph 1. 2 may not be brought to higher administrative authority.

§ 16. (Aphat)

Chapter 7 a

Small urban theaters in Copenhagen, Frederiksberg, Odense, Aarhus and Aalborg Municipalities

§ 16 a. The State shall provide a financial framework for operating grants to small large-scale urban theatre in Copenhagen, Frederiksberg, Odense, Aarhus and Aalborg Municipalities.

Paragraph 2. In addition to the small urban theaters, in addition to those of Chapter 3, the theatrical scenes and of Chapter 6 covered theatres shall contribute to ensuring a diverse stage of the theatre in the large urban municipalities.

§ 16 b. The state's contribution to the small city theatre of the individual municipalities is set at one in a 4-year agreement between the State and the municipality. The amount of the subsidy may not exceed the municipality's total operating grants to these theatres.

Paragraph 2. Deposits to the rent can only be until 15%. of the eligible municipal operating grants to the individual small urban theatre.

Paragraph 3. The grant is granted only if the municipality has concluded at least 3-year-old agreements on operating grants with the individual theatres.

Paragraph 4. The Minister of Culture, after negotiating with the local authorities ' Rural Development and the City of Copenhagen and Frederiksberg, is detailed in accordance with rules on the scheme for small-city theatre.

Paragraph 5. The Minister for Culture may, in connection with cultural agreements, with the municipalities and so on derogating from the provisions of paragraph 1. One-four and in section 16 a.

Chapter 8

The State ArstFund

§ 17. (Aphat)

§ 18. The State's Artifiable Fund may provide support within a monetary framework to grant aid to :

1) creative performing artists,

2) the premiering of performing arts,

3) stationary and roaring and performing performing performing by a minor theatres, performing arts groups and independent performing artists, including their cooperation with other theaters and actors in the scene area,

4) the promotion of new Danish dramatics,

5) the acquisition of technical equipment, etc.,

6) the promotion of the international activities and cooperation of the performing arts ; and

7) other activities which may promote the law of the law.

Paragraph 2. In the distribution of aid under paragraph 1, 1, in addition to the criteria set out in the Law of the State's Art Foundation, the Statens Fund must place emphasis on promoting the development of new performing arts and other experimentation.

§ 19. The State's Arstment Fund has the final administrative decision on the allocation of funds granted to the activities of the annual financial laws in the annual financial laws.

§ 19 a. The State's Arstown Fund follows the development of the egomatais and the small urban theaters. The State's Art Fund shall assist the municipalities and theatres in the preparation of agreements that run over a minimum of three years, in accordance with section 15 (a) (1). 3, section 16 (b) (b). 3.

§ 20-23. (Aphat)

Chapter 9

Dissemination of theatre performances

§ 24. The State provides grants to the dissemination of theatre performances to theatres and to organizers of theatre productees. The subsidy is used to reduce ticket prices.

Paragraph 2. Deposits granted in accordance with paragraph 1 1 may also be used for the marketing and administration in relation to the reduction of ticket prices.

Paragraph 3. The Minister of Culture provides for detailed rules for the allocation and use of grants to the dissemination of theatre performances.

Paragraph 4. The State can grant grants to central organisations of the theatre audience.

Paragraph 5. The Minister for Culture may, in connection with the conclusion of cultural agreements, with municipalities and so on derogating from the provisions of paragraph 1. 1-3.

Chapter 10

Special provisions relating to children's theatre and seeking theatre

§ 25. The State shall reimburse the State to 50% of the municipalities ' s expenditure by buying out the reimbursement of the children's theatre and the theatre of the buying-in.

Paragraph 2. The Minister for Culture, after negotiating with the Local Authorities ' Association, and the Municipality of Copenhagen and Frederiksberg, are detailed in terms of rules for the reimbursement system, including rules for the approval of the notions covered by the scheme.

Paragraph 3. The Minister for Culture may, in connection with the conclusion of cultural agreements, with municipalities and so on derogating from the provisions of paragraph 1. One and two.

SECTION 26. (Aphat)

Chapter 11

Amateur theatre

§ 27. Support can be given to the activities of artistic working amateur scenes and to the central organisations of amateur scenery.

Chapter 12

Theater education

§ 28. (Aphat)

§ 29. Support for other theatre training activities may be granted.

Paragraph 2. The aid may be granted as annual operating grants or as a one-time allowance for courses, seminars and the like.

Chapter 12 a

(Aphat)

Chapter 13

General conditions for aid in accordance with Chapter 3-8

-$30. The operations of a company, an association, or a self-functioning institution, or as a municipal institution, must be approved by the association, association or institution of the association, or the institution of the institution, of the public primary subsidy-syder.

Paragraph 2. It shall be the responsibility of the Member ( 1 the subsidy sylar referred to in order to ensure that the statutes of a self-employed body contain either provisions which comply with the requirements of the law on operators or the law on funds and certain associations, or provisions which may form the basis for : exemption from this legislation.

§ 31. The Minister of Culture may lay down rules that collective agreements on wages and employment conditions for employees who receive grants pursuant to sections 5 and Section 14 must be approved by the Finance Minister.

Paragraph 2. The right of the Minister for Culture must not be reduced to the right of the theatre management to freely and independently to decide on repertoire, engagement and other artistic questions.

Chapter 13 a

Accounts receivers and audits for beneficiaries of Chapter 7-7a

§ 31 a. The Minister of Culture shall lay down detailed administrative rules for the management of grants, guarantees and loans, as well as for financial reporting and auditing.

Paragraph 2. The commitments made may be withdrawn and paid out may be repaid in cases where grants do not meet the conditions of the subsidy or do not implement the prefixed activity.

Paragraph 3. Supplements may be paid out in advance.

Paragraph 4. Paragraph 1-3 shall not apply to subsidies granted as operating grants.

§ 31 b. (Aphat)

Chapter 14

Entry into force

§ 32. The law shall enter into force on 1. 1 January 1991, with the exception of § 5 to 24, which shall enter into force only on 1. July 1991.

§ 33. The law does not apply to the Faroe Islands and Greenland.

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Law No 458 of 8. May 2013 on the Law on the Status of the Statens Company contains the following effective implementation provisions :

§ 11. The law shall enter into force on 1. January 2014, cf. however, paragraph 1 2.

Paragraph 2. sections 5, 6 and 13 shall enter into force on 1. July, 2013.