Key Benefits:
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DRAFT LAW NO. 336 /X
ELEVATION OF VILLAGE OF BORBA, IN THE CONCELHO DE BORBA, À
CATEGORY OF CITY
Exhibition and reasons
The Village of Borba is the seat of the county of Borba, belonging to the district of Évora, which
covers about 14500 ha and composed of four freguesies: Matrix (4,123 ha), Orada
(5,083 ha), River of Moines (5,292 ha) and Saint Bartholomew (14 ha).
The Borba Concelho is a Concelain of the Alentejo, at the northern end of the District of
Évora, confronting the North and nascent with the Portalegre District and the Concelho of
Villa Viçosa, the South with the municipalities of the Alandroal and Redondo and the potent with the
The Estremoz Councelain.
It is situated in the "Zone of the Mármores", designation because it is known this subregion of the
Alentejo, which has a specificity of its own given by the specialization it presents
the economic activity that gives it the name: extraction and transformation of marbles.
From the point of view of its geographical location in the context of the urban network, the Villa de
Borba is in an equidistant position between two urban centres of regional scope,
that are Évora, Portalegre and Badajoz (about 50 Km away to each of the
centres), as well as from the Barrage of the Alqueva.
The county presents itself heterogeneous with respect to the occupation of space. Thus,
we have an area, to the north of EN 4, almost fully constituted by the freguesia of the
Orada, sparsely populated, and where it predominates agricultural activity, with cultures
cereal, as well as the culture of the vine. A central track understood between EN
4 and the Serra de Ossa, covering the freguesies of S. Bartholomew, Array and the almost
totality of the Mill River Freguesia, where it predominates the culture of the vine and the
olive grove, allied to the cultures of leguminous and extensive breeding of cattle. Beyond these
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we find also an important industrial activity linked to extraction and
transformation of marbles. A southern area, between the CM 1042 and the limit of the Concelho,
integrated into the freguesia of Rio de Moinhos, mountainous zone, practically depopulated
and where it predominates forest activity, it is particularly area of mounted, allied to the
extensive breeding of cattle, which provides raw material to the important activity of
dairy.
Origin of Povoation
Of antiquated origin, name "Borba" has been cause for great speculation. From
quite remote backgrounds, the tradition points out as justification for this, the fact that it was
found, in an existing fountain in the Castle of the Village of Borba, a large barb (fish
of fresh water). Ora, in the course of time, the name " Barb " would have degenerated to
" Borba ". Another of the explanations rests on the Greek word " Borboros ", which means
"mud at the bottom of stagnating water".
Most of the news that even we have reached about the origin of the settlement is little
conclusive. Little is known of the first inhabitants only we can weave a few
conjectures. The natural conditions involving the concelho suggest the ease of
fixation of human groups. The hypothesis that other inhabitants prior to the Celts,
populate the "mild circular valley", where to circumscribe the village of Borba, does not leave from
be quite logical. Father Joaquim Anselmo (author of the only existing monograph
on the county), I have already suggested such, "the fundura of its roots", of which it speaks Jaime
Courtier, it can well be attributed to the Neolithic epoch, according to the finds
archaeological.
Some authors attribute the foundation of Borba to the Galo-Celts, around the year 974 a c
or 306 a c. It was under the rule of the Roman, Godo and Arab rule.
Creation and Evolution of the Concelho
In 1217, in the reign of D. Afonso II, it is taken over to the Arabs, by the Military Order of
Avis. D. Dinis awarded him Foral in 1302. The area of the county (circumscribed in the Foral) was
rather lower than the current limits. It lacquin almost the whole area corresponding to the
freguesia of Rio de Moinhos (belonging of the Estremoz county, at the height), however,
owned two small plots of the Therrugem (Elvas) and the Arches ' freguesies
(Estremoz). The Barbo was chosen as a badge of the concelho, at the concession height
of the Foral.
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It was also D. Dinis who promoted the maturing amuration of the settlement. The castle
it was disposing in quardrilateral plant and its construction obeyed the current system
of the similar fortifications of the region. From thick masonry, it had thick amuration in
normal height, crowned by gothic and wide adarve merlons that ran the wall. The
moat, little deep, disappeared with the construction of the casario that was gone
developing on the outer face. By the inproceedings of the Séc. XVIII, the military government of the
province determined to involve the village by an entrenched field, with fossos,
staging and covered roads, work that was just sketched and that still existed
vestiges in 1766. From the castle, edited or remodeled from the Séc. XIII, fix yourself to
mending tower and two doors, that of Estremoz and that of the Celeiro.
Little is known of Borba, from the period that medevout the granting of Foral (reign of
D. Dinis) and end of the reign of D. Fernando. The main cause of this gap appears to be the
destruction of the House's carthorium, by D. João de Austria, when it took the Castle,
during the War of Restoration. Ora, it was hard times for the county, the years
of the crisis of 1383-1385, the village suffered heavy ruin with the passage of the English troops of the
Duke of Lencaster, who welcomed as an ally and friend, proceeded as in country
conquered, outrage spoliating and robbing the alentejanos. Finda the crisis, Borba is
donated (with other Alentejan lands) to D. Nuno Álvares Pereira.
The XV century corresponds to the great period of expansion. As succeeded by the whole
country, with the Portuguese Discoveries, Borba has seen its population thrive, in
number and wealth. In the reign of D. Manuel, in 1512, it is attributed to him new Foral (at 1
of June).
The Philippine domain, the War of the Restoration And the systematic incursions of the troops
castelhanas, commanded by D. João de Austria, the county ruined and lost
population. From this height lies the memory of a remarkable event of our history,
the hanging of the governor of the castle, Rodrigo da Cunha Ferreira, and of two more
Portuguese captains of the garrison, in the summer of 1662, after the victorious invasion of the
army of D. John of Austria. This will have mandated to commit the atrocious act as revenge
by the deaths of three captains, a sergeant and 20 soldiers from their forces, in addition to 50
injured. The memory of the peoples guarded the epheméride in the toponymic tradition, with the " Street
of the Enforks ", which passed after calling itself Rua Right. Not content with your
reprisal, D. John of Austria sent still torching the Paths of the Councelho and the
Municipal Carthorium, losing all the ancient manuscripts in the history of Borba.
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In 1665, Borba was occupied by three infantry regiments and one-third of
cavalry, and the population suffered again the panic of the terrible invasion, which collapsed
in the field of Montes Claros, with the defeat of the Armies of Philip IV.
The Battle of Montes Claros (on June 17, 1665) waged on borbense soil, marks the
defeat of the Castelhanos in the Wars of the Restoration. By Village and concelho are numerous
the allusive elements to the Battle and the commander of the Portuguese troops, the Marquis de
Marialva.
Signed the peace, the Borba's concelain prospered. It has activated the culture of cereals,
increased the area of olive grove and multiplied the vineyards, firming up more in the country to
already old fame of its wines. From this time, the constructions of the Source of the
Bicas, the Paths of the Concelho and various Palaces.
The nineteenth century principle marks, for Borba, a phase of misfortunes with the First
French invasion. During the Peninsular War stood up in Borba a group of
militiamen who figured in the defense of Évora, on June 29, 1808. Shortly after,
between 1809 and 1811, in the villa housed a Scottish brigade of the anglo-language army of
Beresford.
By The Administrative Reform of 1834, the boundaries concelhios were changed with the
annexation of the Rio de Moinhos freguesia and loss of small areas of the localities of
Arches and Therrugem.
In 1895, the county was extinct and attached to the Viçosa Village, however, it is restored three
years later, by the Decree of January 13, 1898.
Heritage
Natural or built, the existing heritage, in the concelho of Borba, is rich.
Small details and the beauty of the lines make a difference. In the Alentejana zone of the
marbles, what marks the landscape are the quarries, the vine, the olive trees, the
orchards, the brownish and fertile land, the lagoons and albufairs.
The white houses, the clean streets of being able to look with pleasure. The mounds, the elevations,
the Serra d' Ossa. The hampers that bounces from white dots the landscape.
The built heritage is itself also diversified made up of milestones
signable. The Source of the Bicas, the medieval wall of the Villa, the "Passos" of the Via Sacra,
the Convent of the Serves, the churches and ermids, the allusive monument to the Battle of Montes
Clear, the Convent and the Fifth of the Bosque, the Fifth of the General and all the heritage
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particular architectural in which the marble abundance in artistic forms that is precise
preserve.
The historical and heritage data here included appears in the PDM of Borba.
1-The Castle:
The castle or about medieval fence of the Villa of Borba, was founded by D. Dinis in the year 1302.
It is classified as an immovable of Public Interest by the D.-L. n. 41191 of 07/18/1959.
It has a quadrilateral plant and its construction has obeyed the current system of the
similar fortifications of the region, of thick masonry with thick wall of height
normal, crowned by gothic and wide adarve merlons that ran all over the wall. The
moat, little deep, disappeared with the construction of the casario that was accumulated
on the outer face. The only known doors of the historians are the Port of the Celeiro, the
south, and the door of Estremoz, to the west. Both find themselves devoid of the arches
goalies and respective passersby. The door of the Celeiro, currently constituted by a
single torchion, gives access to the Rodrigo da Cunha Ferreira Street in which there existed a gravestone
latin referring to Julius Caesar. The door of Estremoz gives you access to the Maria de Borba Street.
This fortification underwent the last major transformation after the earthquake of 1755,
when the construction of the Tower of the clock, rectangular section, stone of the site and
remailed by bolbous dome, embangled.
2-Paths of the Concelho
We are unaware of the location of the primitive Chamber of the village of Borba, which, the example of
other fortified land, stood inside the walls and, some authors said in
contiguous dependencies to the Menping Towers and the Clock. Later and up to 1797, the
Senate worked in a real estate of Praça D. Carlos, today called People's Square,
defaced from the Castle.
Today, the House operates in a frontrunner to the Republic Square, in a building
of two floors and divided into three bodies forming a "U", respecting a criterion that
in Portuguese civil architecture was frequent since the Séc. XVII.
The walls are thick masonry, largely harnessed of the downing walls
from the Castle.
The roof is four waters, donde rompem regular mansardas of false platibanda and
of openings framed within the pombaline tradition.
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The four angular cunhais are decorated in the acrogues by elegant pinnacles in
marble that together with the mansaries, break the apparent monotony of the
coverings.
The openings of the side faces are of the pectoral, but those of the main facade, bordering on
Square of the Republic, understandably the richest in the building, boasts three portals of the
R/C and seven balcony balconies on the first floor.
3-Source of Bicas
The Source of the Bicas is the most remarkable civilian monument of the villa, and in its genus and era,
of the most beautiful in the Country. If there is monument that serves as a "ex-libris" to the village of Borba, there is-
be the Source of Bicas to take primacy. Located in the Republic Square, this
monumental fountain was edified in 1781, at the expense of the Municipality, and consecrated to the
kings consorts D. Maria I and D. Pedro III, is due to the risk of the engineer José Álvares de
Barros and the sculptors António Franco Painho and one of the Velez brothers, artist of Borba.
It is ranked as National Monument according to the D.L. of 06/16/1910. The current
Source of the Bicas, succeeded the other with the same name that stood appreciably where if
they find planted the plátane copes of the Republic Square, therefore closer
of the Matrix Church. The Monumental fountain, all built in white marble of Montes
Clear, it relies on clad passer and two recurve steps, being protected by
labyrinths of balaústres in stone and ferreous gradeation. The source has five
carvers: three serving the main cup and two the side cups, smaller ones.
Ensing the side cups, break the busts of the reigning monarchs, D. Maria I and D.
Pedro III, being that of D. Maria I that of the born of the Finished. The high frontispice,
slightly rounded off, is divided by four pilasters garnished from grinaldas in
high relief, attached to Luis XVI-style ties. To the center, boasts the effigy of Queen D.
Maria I, in the formous elipsoid medallion. The cornija, ornamented by four pinnacles
flaming, boasts in front position and in prominence, the crowned shield of the Royal House
Portuguese. The posterior face of the frontispice, more sober, retains in the cifabric the crest
of weapons from the Villa of Borba in its primitive expression.
On the sides of the fountain and integrated into the complex, lies the vast lake disposed of
rectangle, of high masonry murets and marbled resonance that prolong
by the arvoredo frontrunner Municipal Garden. Accompanying the south shore of the lake,
is located the cattle chafariz and another smaller tank, the former public lavadouro,
all in white marble.
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These elements are separated by a lancet of stairs that gives access to the resonard of the
lake.
4-Church Mactress of N. S. of the Soveral or the N. S. of the Neves
The Borba Matrix Church was founded in 1420, as attested to the marble gravestone of
Gothic characters existing in its interior, embedded in the wall on the right side, along the
Chapel of the Conception.
The current building, from the third headquarters of the Séc. XVI, is isolated from the casario and its
main façade rests on a vast framework of marbled steps.
From sober lines of masonry slightly slathered in the pilasters, with fronton
triangular rekilled by the sign of the Redentor is amstopped, south, by possant sineira tower
square, enciled by bolbous dome, of later construction (second half of the
Séc. XVIII). From the façade further highlight the adintelled janelion and the marble portation
style of the Renaissance, full arc and doric frames, enlimated by blind medallions
and lashed by two Corinthic columns. The wooden batters, pregued and from
cushions, are dated in the flag with slight notch: 1849.
The side fakes offer the usual asymmetric features caused by the
pains of the chapels that have been accumulated in the original mass of the building
quinhentist.
The interior of the temple is rectangular plant, with three naves and of six tramos, includ
the chorus, of aresta vaults supported by marble columns of the Tuscan order and
squared embankment. The lighting makes itself through torn janelons
later. On the side footpaths remain the six chapels of the initial project, all
opened by full arches.
On the side of the Gospel lie the Capels of N. S. of the Good Success, and of the
Souls (also called Altar-Mor of the Souls) and that of the Angel of the Guard (current
Baptistius). On the side of the Epistle are located the Chapels of N. S. of the Rosary, from the
Mercy and that of S. Peter (currently called the Concept St's Chapel of the Conception).
The former Baptistius, currently sacristia, has undergone a deep reform for that
adaptation.
5-Passes of the Lord
The date of the foundation of the Brotherhood of the Lord Jesus of the Borba Passins is unknown.
The formous stations of the Via Sacra, carved in white marble, are certainly
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works of the finals of the time of D. João V and alvores of the reign of D. Joseph, comprising
the 1750-60.
Later added ones were made at the painful station of the Street of the Serbs Terreiro
(Step by the Third parties), in the freguesia of S. Bartholomew, without a doubt the most opulent and of
larger dimensions of the core of the outer quaters, not relying on the Passos of the
Pretory and the Calvary, situated in the Matrix Church.
On the People's Avenue, right around the corner with the António Joaquim Street of the War lies the
Step of the High of the Square, built in 1755 in baroque style, with sacrifice, or
simple adaptation, from the primitive Ermida of the N. S. st of Nazareth.
The Aramenha Street Pass, present Street January 13, is similar in the whole
architectural at the High of the Square. Edited in the Freguesia of S. Bartholomew, has
wooden doors date back to 1843. Internally, it is also in plant
quadrangular with smooth footwear and good rococo decoration in the cradle pumpkin, with
grounds for the Passion of Jesus and the symbol of the Brotherhood.
The fourth and last outer Pass, is situated on the Marquis de Marialva Street, former Street
of Évora. Enclausurated in the casario and although of discrete lines, it offers, however,
identical characteristics of the previous ones.
6-Church of St. António
Situated at the bottom of the rue de Montes Claros, the Church of St. António was founded in
1630, having suffered vultuous magnification in the finals of the Séc. XVIII.
With pillowcase pillowed by triangular pediment, from acroteria decorated by pinnacles
piramidais and to the center overseen by the bronze bell campanarium, with central cross and
primitive silhouette, torn in the middle by the holder's niche, popular work in steamed clay,
typical of the premier olar art.
The gate, also of triangular front-facing, is ladeed by two windows of shoulder pads
recurve and in marble. The door's batters are in wood and date from the time of D.
Maria I.
The ship, from rectangular plant, with cover in full back vaulting, in masonry,
totally kayaking of white as well as the footwear, these garnished by footer
polychromic tile of the first half of the Séc. XVII.
From the body of the old building, subsists the mestra structure, engranate after 1780
by the present pavement and the pulpit. All the altars were executed in marbles
places of white and black color. The side altars, which replaced the primitives, are from the
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rococo style. The one on the side of the Gospel presents the Sagrada Familia and the one on the side of the
Epistle is dedicated to S. Francisco Xavier.
The Capela-Mor, which appears to be the work of setecents, has quadrangular plant and cover
in clergyman's barrier, completely coated by paintings the water ink. On the throne,
of box also painted the water ink, exposes the curious sculpture of St. António,
in upholstered wood.
7-Ermida of S. Sebastião
It is situated in the immediate vicinity of the Matrix Church to the cimo of S. Sebastião Street.
The date of its foundation is unknown, and it is due to deal with a building from the ends of the Séc.
XVI and valued in the middle of the Séc. XVII, period noted interiorly by the
footer on tiles.
The main façade is very simple, with triangular fronton rekilled by cross in
marble, portal and windows rights, with trimmings also in marble and stripped from
lavores.
The reinforced steeple, erect on the opposite facade at the front, having at the glance a bell
in molten bronze.
The ship, from rectangular plant and pumpkin round of masonry without artistic trace,
accuses much later repairs, such as the assembly of the choir and the pulpit.
Six graves in marbles run in the coxia of the ship.
The Capela-Mor is of quadrangular plant and with roof in clergyman's barrette.
8-House Noble of the Cardosos Morcattle
Implanted with fronts for the Street of the Cross and St. of S. Francisco Street, it was founded in year
unknown.
The three-floors building, composes of an immense pavilion with three loose fronts,
with the main facade giving over the Cross Street, divided into three bodies
interconnected in symmetry and at the same height, remaped by rectilinear cornijamento
salient.
The windows, all in verge curved and framed, are from pectoral in the first and last
floor and balcony on the intermediate floor, the latter with balconies of remarkable nobility, with
feral railings of French influence of Luis XVI.
The main gate, richly framed, is of verge recta and remawed by pediment
ladeated by viewer framing the ovoid axial lunette.
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In the building currently works a Housing Tourism unit.
9-Palace of the Fidalgos Silveira Menezes
Situated in front of the Castle's Tower of the Castle, it develops on three floors with
quadrangular plant. Of rather simple architecture, it presents rectilinear fenestrations
with the exception of the windows on the last floor of recurve verges of notorious simplicity. In the
intermediate floor the vans are of balcony on balconies.
The main pore that gives access to a vast central courtyard, is quite wide with lintel
and well demarcated cornities.
10-Fifth of the General
The exact time of this solarenga construction, which has naturally occurred, is unknown
on the purposes of the Séc. XVI. However, the architectural moth of the current building seems to purr
the middle of the Séc. XVII.
The rustic solar, situated in the far north of the village, in the access to EN 4, stretches in
pavilion covered by roof of four waters in the traditional form of "U", with courtyard of
discrete entrance and gate of thick masonry.
In the inner courtyard, overshadowed by permanent greens that cover almost
completely the footpaths tucked away in the local tradition, runs a seven-year thermal gallery
we bring with full arches of white marble and foil colored with tiles of a
period receded from the Séc. XVII.
The most important dependencies communicate with the gardens and are from vast
proportions. From rectangular plant, are covered by ceilings in wooden coffins
framed and smooth, with no trace of paintings.
The most beautiful façade of the building, it addresses the gardens. Despite their sobriety and
of a single floor, it certainly represents a beautiful exemplary of regional architecture of the
Séc. XVII. The balcony windows, communicate directly with a running balcony
protected by ferrous gradeation and the footwear are remawed by tile foil
polychrome. The solar gardens extend into a vast murred rectangle, which if
prolong by the framework of the primitive ermicide, and had frontrunners from secular trees to
February 1941.
11-Paroquial Church of S. Bartholomew
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The building, built of root in the early years of the Séc. XVII, is of towed masonry
and of the current type in the Alentejana religious zone. It is composed of ship body and Capela-
Mor amstopped by giants of one floor.
The façade maintains, with slight alterations, the original line inspired by models
quinhentists.
They highlight on the triangular front-facing facade overseen by a cross, the niche with the
figure of S. Bartholomew in polychrome marble (alvores of the Séc. XVII), the janelon
facial lintel facial and ample front archived, ladeed by two jewel columns
stirred assorted on pedestal workers with low reliefs alusive to the martyrdom of the
Saint patron.
The portal suffered at the time of the great setecentist reform, the amputation of the pains and the
disproportioned altement of the niche of the image occupying the place of the present window
of the frontery, where it is assumed to have existed only an occulus or a freshner for lighting
of the ship.
Flanking the building, erect the possum tower sinking all helmed braces
marmoreo. The campanarium rekilled by flaming pinnacles and bolbous dome
embankments, has four framed olhais on which if they plucked bells in
bronze with carved inscriptions.
The opposite facade to the campanarium is torn by another renaissance portation, from the same
stylistic order of the main, with the advantage of being complete. Of triangular pains
centered by the niche containing the image of the Immaculate Virgin, is ladeated by columns
stirred up very similar to those guarded the main portal.
Interiorously, the body of the ship, of rectangular plant, is rekilled with vaulted
renaissance of three tramos and with jellyfish aresta nerve, richly decorated with
fresh and golden keys.
High lining of tiles from the model of "corn knob" is the paraments of the
ship, included the cloth of the choir, this built in advanced period of the Séc. XVIII, with
heavy marmorea balustrade.
Six side chapels open up on the sides of the ship. from the side of the Gospel find themselves the
Altar of St. Teresinha of the Child Jesus, the Altar of N. S. of the Conception and the Altar of S.
Pedro. On the side of the Epistle are located the S. th S. of the Carmo Capela, the Chapel of the S.
Sacramento and the Altar of N. S. of Fatima.
To the bottom of the Nave lies the Capela-Mor, of quadrangular plant, curious exemplar of
Portuguese architecture of the baroque style, equally gated in the primitive plane of the
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alvores of the Séc. XVII. It was once lined in the footwear with polycromic tiles
similar to those of the ship's body, withdrawn at the time of D. João V, around 1730, and
replaced, in part by the profuse and rich combination of calcareous elements of the region.
The Capela-Mor is pried for a beautiful triumphal bow, round, of pilasters, delicate
marmorist work.
They also deserve to highlight the sacristies of the temple, not least the one of the headquarters of the freguesia,
precious room of the last third of the Séc. XVIII, situated in the western ilharga of the abside of the
temple, which replaces the primitive of the Freires de Avis, open on the opposite face.
12-Church of the Real Convent of the Serves
The Church of the Royal Convent of the Serves, ranked as Real Estate of Public Interest
According to D.L. n. 33587 of 03/27/1944, it is a temple of the Séc. XVI that occupies all the
eastern zone of a large monastic block (formerly inhabited by nuns
franciscanas of Santa Clara) that includes a large cloister of large dimensions, one of the
largest in the country.
When the convent was founded in 1606, there already existed the Church.
The Church of the Royal Convent of the Serves, inspired by the Church of Hope in Vila
Viçosa, has, as it determined the Franciscan rule, the side public doors, tracts
to the axis of the building. These ample doors, from recessed shoulder pads and triangular fronds in
white marble, settlement in the framework of the same stone, sympathetic to that of the Chapel of the
lord Jesus of the Aflitos that rises attached to the Church in an almost integrated way.
The portees are enamoured by austere janelons of semicircular pairing, which
ladeiam the ordered carscreen of the abadessa D. Isabel from the Nativity, composition
marmorea of the Baroque-rococo transition style, engrossed by the royal shield of D. João
V.
The posterior façade, facing the potent, is of a triangular shape enobbled by the carb
studs of the rococo style. On the pebble rises the sign of Redentor.
The interior is composed of rectangular plant vessel covered by half-vaulted altar
cannon completely decorated with paintings and closed by coated pains with
rich polychrome tiles from the middle of the Séc. XVII. of an impressive nudity and
austere, the ship is only illuminated through the two windows and pored.
The only two altars of the ship, both torn by local marble full arches, are
dedicated the N. S. th of Piousness and S. Francisco.
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The Church has two choir: the bass chorus, willing in broad plant house
rectangular and the high chorus of proportions identical to the previous, exceptionally high
with round roof and smooth. The latter was stripped of almost all of his belongings
sumptuaries.
13-Chapel of the Lord Jesus of the Aflitos
The chapel of the Third Order of S. Francisco, whose date of foundation dates back to the year of
1676, modern and piously called the Lord Jesus of the Aflitos, juxtaposed to the
footwear master of the Church of the Serves, it is of Baroque architecture of the time of D. Pedro II. The
main façade, fully coated with marbles in dark and clear xadrezes, is from
triangular pawn by crucifix, torn by simple portal ladeated by two
windows and enclosed by a third, from balcony, which illuminates the choir. This last janelon
is superputted axially by a small niche with the image of S. Francisco de
Assis. More discreet, of masonry and stone-chested cunhal, are the dependencies
attached. Sparse to these, erect the sinking tower of four olhais and bolbous dome
with ornate.
It is currently only filled by a single modern bell.
The interior of the chapel, of rectangular plant and round ceiling, just keeps from the foundation
the structures and the blue foil.
In the footwear and respecting the tradition of the brotherhood, they tear up eight niches made up
where the holders of the Order are exposed.
The pulpit of square balaústres in marble, it seems from the alvores of setecents.
The choir is modern.
The Capela-Mor, from quadrangular plant, reaches out by round-master. Has
suffered profound transformations through the ages.
In the central niche of Capela-Mor, arranged in the year 1892, the image of the
Lord Jesus of the Passos, hence, the present consecration of the Aflitos.
14-College and the Hospice of N. S. of Solety
This college was founded in 1703. Has main front for Dr. Ramos St. of Abreu
and tardoz to the António Joaquim Street of War.
The facades of the hospice retains the original features of the Séc. XVII-XVIII.
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Collegiate porterie keeps the traces of the primitive cornijamento (altered with the
construction of the second floor) revealed in an ornate masonry frieze ornate by floral tables
and ornaments of classical-baroque transition style.
The temple, dry of artistic ornamentation, rekilled by two campanarians, maintains the
two openings of the choir and the pore in marbles with triangular fronton. Several crosses and
local stone embets on the footpaths, mark the way of Via Sacra.
The interior, of rectangular plant, very simple, has itself in excessively high ship,
of cover in cradle kayaking of white.
The Capela-Mor, with triumphal arch edified in robust masonry, is dedicated to N. S. th da
Soliety. It has rectangular shape, it is also covered by round roof and has
high golden talha recorder mounted on masonry banquetry.
15-Solar of the Fidalgos Sousa Carvalho Melo
Giving over the Largo Bernardino Ramos, this two-floors building, is a construction
from the middle of the Séc. XVIII. In 1971 it was in it installed the School of the Preparatory Cycle
of the Secondary Education D. Maria I, who moved to own building after the April 25
of 1974.
The wide portal is quite simple from ombreiras in slightly decorated stone. about
he, tears up a curved counter window, nobly worked in the style D. João V, de
coated moldings, round lintel and double fronds of abs. The formous railings
ferreas are pombalinas and French inspiration from the Luis XV style.
The remaining windows of the second floor, are also balcony, rectilinear lintel, with
balconies rights protected by rich ferric gradeation.
The fenestration of the first floor, contrasts with the rest for being very simple, from
peitoril and verge recta.
16-Palace edited by the Alvarez Family
Large-volume building, edited in the mid-nineteenth century, with three floors and platibanda
guarnecy of balaústre and ornamental vases, it is located on St. Bartholomew Street.
Remarkable is the immense balcony of the last floor, with guard in iron to the taste of the time of
D. Pedro V. Of equal style and drawing are the balconies of the balcony windows that run
over all the intermediate left over.
On the ground floor open four porters of simple decoration and five pectoril windows
protected by railings in "scroll talk".
15
17-Palmet of Dr. Bustorff Silva
Two-floors setecentist palmet, located on the St. Bartholomew Street, annex to the
edification of the authorship of the Alvarez family.
On the front, stand out the three balcony windows of the top floor, with fronds
triangular points of regional marble marble, and feral gradeation of the baroque style.
18-Cruise
The cruise is erected on the Largo of the Beato Martytir Domingos Fernandes, sparkler at the door
side of the Paroquial Church of S. Bartholomew. There it was placed by the Municipality in 1950.
Classic piece of the seiscented alvores, of white marble, consisting of the base of three
steps, quadrangular spider of lossy tables and corrugated fuss with capital of the
corinthic order and disk of the world superputted by a cross of rounded elements.
19-Church of Santa Bárbara
The first document concerning this edified temple at about 4 Km the spring
of the village of Borba, is dated 1566.
The Church of Santa Barbara was the seat of the freguesia with the same name until January 1 of
1967, height in which it was incorporated into the Freguesia Matrix.
The building, sparkler to a discreet marble cruise rested on steps of
masonry capeated the slate.
The right pawn front and simple front of verge recta, is enciled by altaneiro
campanile.
The side façades, of the same regional rustic system find themselves ampared by
giants amalgamated in the small juxtaposed constructions.
The body of the ship, of quinhentist formation, is of rectangular plant and of two tramos
divided by masonry columns of the dic order that support the vaulting.
The Capela-Mor, built afterwards, has a quadrangular shape, with roof
in aresta vaults coated to paintings of water ink with neoclassical intent. The
border niche is occupied with the image of the patron.
20-Convent of N. Lady of the Bosque
16
It is situated about 1 Km away to the south of the village of Borba, in the strand of the saw, in the
path to Rio de Moinhos, in place that by its amenity and freshness has suggested you the
name.
From the initial construction, date of the beginning of the Séc. XVI, nothing escaped the reforms of 1548 and
1670. Later in the Séc. XVIII, the building has taken up the current configuration, having still
suffered reconstruction in the endings of the Séc. XIX.
The building is made up of an architecture of notorious conceptional sobriety,
highlighted on the facades by thick masonry, once stairless.
It is from quadrangular plant, and as it usually happens in similar cases, all
the fundamental elements radiate from the cloister.
The Church, which occupies the southern face of the community block, possesses coined frontrunner of
stacked pilasters, alteed by two campanarians of the order Capucha, in masonry,
today stripped of bells.
The triangular fronton drawn in very acute line, once rekilled by a cross, is
filled by friso framed with ornate.
On the façade, in addition to the large marble janelon salient three niches: the
central is intended for the holder, N. S. of the Conception, and the sides with images
franciscanas, S. Francisco and Santo António.
The frontage is remailed inferiorly by a round arch portal in marble,
valued by the shield of the Royal House.
Close to the convent building, it is well maintained, a fountain with a large
image in terracotta (1 ,85m high) of S. Pascoal. The niche has roof of four
waters with flaming urn remate, in masonry.
Second prays the popular tradition, this image possesses powers of prognosticar
weddings.
21-Ermida of S. Miguel
Situated about 1 Km north of Borba, in the Herdade of the Monastery, you are unaware of
its historical origin, but the ancient building that dates back to the alvores of the Séc. XVI.
For a few years it served as a private dwelling, having been reopened to worship in 1953
after large interior and exterior beneficiation, as attested to the existing headstone in the
facade on the side of the white marble portal.
The alpenre, of white masonry and alentejano rustic style, is composed of seven arches
round.
17
The façade is remawed by triangular pediment, axially overseen by steeples,
undated bell.
The Capela-Mor, lower, is angularly reinforced by two floors of floors,
still from the Gothic architectural tradition-manuelin. This is the ultimate vestige of the
primitive building, therefore the general benefits introduced through the times,
have printed the current configuration.
The shrine is illuminated by two frescoes sagles that creep into the tardoz.
The ship, very singlet is covered by cradle vaulting, has the footwear and smoothes of
decoration.
In it open up two side altars without holders.
22-Ermida of S. Claudius
It is based on an elevation of terrain with its name, dist about 2.5 Km to the north of the
seat of the concelho. The construction, rather degraded, seems to datar from the mid-Séc.
XVII, but they ignore themselves for complete their historical origins.
Circular masonry building tucked away, looks at the accident through the alpendre (in ruins)
from one round arc. Annex to the alpendre, see the ruins of a picturesque pulpit
exterior, of column-based cylindrical box of escaioled rings.
The interior is illuminated by circular openings.
The roof, of radial lines, is rekilled by cone and the beiral punctually composed by
campanile singel, today disadorned bell.
The house of the hermit, in ruins, absorbs the entire south outer body.
Interiorly, the discrete Altar-Mor in masonry, being seen, is highlighted by the niche of the
patron still with paintings, but devoid of the image of S. Claudius.
There are, still, the remains of the mural paintings and those of the dome, these
last still in a reasonable state.
23-Ermida of S. Peter
Deployed on the site of the Viçoso, less than 2 Km to the northwest of Borba, close to the
nascent of the riverside of Alcaraviça, the Ermida of S. Peter was founded in 1570,
currently finding itself in a state of ruin.
Construction in masonry of certain magnificence and architectural richness, has the frontrunner
background by nartex of seven round arcades with arches in brick.
18
The Temple features triangular fronton rekilled by the discarded steeple, flawed
bell. The lateral pains are reinforced by giants and feature constructions
adjacent: the exposed south with the ruins of the hermit's casario and the opposite with the remains
of the sacristia.
Laterally, to the north, there is a door of shoulder pads and verge in single blocks of
white marble, enlimated by a commemorative headstone of the temple's foundation.
The rectangular plant building of good proportions, with roof in cradle vaulting in
masonry threatening to crumble, lost in absolute its stuffing and
ornamentation, however, seeing however the three arched inner blind intended for altars
devotional.
The Capela-Mor, square, is a curious exemplar of architecture of the lower Renaissance,
with vaulting of the nerve framed by octagonal aranhyço de aresta viva, decorated the
fresh, unfortunately in advance state of degradation.
Although in ruins and devassed, the Ermida of S. Peter is a relic of architecture
religious quinhentist worthy of conservation.
24-Ermida of S. Lourenço
This templete is situated about 2 Km north of Borba. The exact date is unknown
of its foundation, although it is admired that the same reassemblates to the Séc. XVII. Likewise if
are unaware of the reasons why, recently, you moved your orago to Lord
Jesus of the Converts.
It received deep improvements in 1758 and in 1965. After years of abandonment, we have forged
introduced the current interior reforms, such as paving and full coating
the water ink.
On the north face, the silhouette is protected by the hermit's residence.
The frontage is composed of the alpendre of three full arches and body of the torn choir by
marble janelon. It ends with cross campanarium in marble and bronze bell.
The interior has a singlet ship, rectangular plant, roof in cradle vaulting and
deepened footwear with three round and blind arches, originally designed for
altars or benches for rest of the faithful.
The choir, of later construction, occupies, on the second floor, the totality of the space of the
alpendre.
19
The Capela-Mor, has three niches, in masonry. In the middle, of larger dimensions,
been in times the image of the holder, sculpture of upholstery wood that holds in the
Church of S. Bartholomew in Borba.
25-Nora of the Herdade of the Montinho
The mound of the herty of the Montinho lies about 4 Km the spruth of Borba,
slightly further north than the Church of Santa Barbara. Next to this mound there is a
old daughter-in-law (it is assumed that of the principles of the Séc. XVI) decommissioned and rather degraded,
with portal and cornija remailed with gothic sands. The vans torn in the pains
feature equally gothic arches in the closures
26-Portal of the Fifth of the Palreta
The Quinta da Palreta, once called Quinta de Santo Antonico, situates itself a little more
from 1.5 Km to north of the Villa of Borba.
This property is prized by a rustic-type marbled portal centered by a
niche diamond moldura but empty image, with side remate of two pinnacles
piriformes, in whose padieira runs the following inscription, apparently from the endings of the Séc.
XVII:
"FARM OF BERNARDO COSTA OF THE VILLAGE OF ESTREMOZ"
28-Parochial Church of Santiago
It is one of the oldest churches in the county of Borba. Was founded in the finals
from the Séc. XIII as attests to the gravestone in medieval Gothic characters embedded in half
of the inner wall on the left side.
The document is from the era of 1328 that, being as it is most likely the era of Caesar,
amounts to 1290 of the age of Christ that we follow today. However, your foundation, no
may go beyond 1279, date when D. Dinis rose to the throne.
Of this Gothic building nothing subsists architectonically due to later reforms,
mainly the one carried out in the Séc. XVII that imprinted you the present fetion, with the
customary popular features of Alentejana religious rural art.
The nartex, of masonry, has five round and front-facing arcades decorated with cross from
marble. Beautified by murets, the set is based on a platform alleded with three
steps.
20
The pains are very singlet and triangular format. To the north is flanked by heavy tower
modernized piramidal needle sinking. The portal is modern and from simple lintel.
In the pawns, along the alpendre, there are two commemorative plaques. One of them, the largest,
points out the visit that the image of N. S. of Fatima made to the freguesia on October 29 of
1947.
With no artistic value is the white marble cruise, which in the churchyard defaced the Church.
The interior, of one nave, has itself in rectangular, lattice-cross plant with roof
in cradle vaults, transept of penetrations and Capela-Mor of quadrangular plant and
pumpkin at half-cannon. The Capela-Mor suffered major works in the Séc. XVIII.
28-Commemorative Standard of the Battle of Montes Claros and Ermida of N. Lady
of the Victory
Situated in the village of White Barro, about 2 Km to the southeast of the village of Rio de
Mills, this National Monument of the Séc. XVII rises in the dominant point of a
of the headbuds where it unfolded the memorable battle.
The gravestone in marble is about 4m high by 3m wide.
The ermida, built in front of the gravestone, was founded not long after that
monument, by alvshall of April 2, 1669 passed by the Prince regent D. Pedro.
It had in principle and until the middle of the Séc. XVIII, only the sanctuary, today transformed
on ship. The alpendre is also work dated to that magnification.
The building, in thick masonry kayak to white, has no particularity
architectural that differentiates it from its rather rustic alentejan counterparts.
The nardex, of three round arcades, is rekilled in a triangular committed campanarium
undated bell and encimed by cross. Two pinnacles of piriformes ornate, complete
the set.
The chapel itself, has central lunette and its main façade is torn by right porter
ladeated by two small windows. The construction is remailed by elegant cover in
roof of radial lines ending with a cross in marble from the region. This was
as we said, the original templete of the Séc. XVII.
Vulgar and of chains of seven hundred, it is the present sanctuary, embraced of edifices
of the capelania, of the ermite and the sacristia, this stuffed with popular votes.
Interiorly the building is quite uncharacterisable, conserving only the dome
original.
21
The Capela-Mor, setecentist, quadrangular plant and cradle roof, ends at the altar of
white and black marbles from the time of D. Jose I. In the niche, exposes the venerated
image of the Padroeira Our Lady of Victory.
29-Convent of N. S. th of the Light of Montes Claros
The foundation of the religious house is old but ignored. Second chronicles of the order, she
dates back to the principles of the Séc. XV.
The edified complex underwent vultuous works in the beginnings of the seventeenth and
subsequently, between 1714 and 1742, in the reign of D. João V.
Reached by the Decree of extinction in 1834, it was a few years abandoned, until the
government selling it in public hasta.
In the finals of the Séc. XIX, has been adapted to the residence of Fteries, having it then
owner introduced deep remodels throughout the main body, on the frontery
from the courtyard of the car and in the Church, this mischaracterized with certain gravity.
The main facade of the Church, overhead to the seiscentist cruising in stone, is from
masonry masonry for pawning with enrolment with enrolment and pinacular acroteries of
fogaries. To the centre is ornamented by the opulent coat of order, of ornaros of the style
rococo.
The main frontery of the Church is axially enraged in the cymafronte by a cross of
chronographed marble of 1608. High janelon of well-sculpted and front-facing frames
triangular, illuminates the choir, booking sotoposto the alpendre, with arch portico
round of stone worked, vestige quinhentist.
The iron grate forged from the entrance is from the period of the great works of modernization of the
building in 1884. From the previous year is the wooden door of the Church.
Reinforcing the frontrunner, elevate two bataries finished by volutas and laterally
seven smooth plywood that reach the cornijamento, print to the building a robustness
singular.
The sub-choir, primal alpendre of the monastic portery, retains the original cover of the
Séc. XVI, in singe nerve that arrhip from the missings and pilasters and extend by the
nerve and closure.
Interiorly, the Church is composed of the nave and the Capela-Mor. The first, is elongated
and rectangular plant, with the roof in half-cannon vaulting, completely smooth and
kayaking of white. The pavement is in marble with footer on tiles of the finals of the
22
past century and the footwear composed of four side chapels of full arches
framed.
The Capela-Mor, equally willing in rectangular plant, is anteceded by high
triumphal arch of fine white marble. The cover, in cradle pumpkin, is decorated by
visted medallion dated 1714. In the large oratorio of golden talha and amosaicada
of the finals of the Séc. XVIII, exposes itself to the beautiful image of Our Lady of Light, piece
of the principles of the Séc. XVII.
The convent, despite the works of adaptation in the finals of the last century, retains itself in the
its quinhentist structure, from quadrangular plant embracing the cloister (the work of the
alvores of the Séc. XVII) that develops on two floors: the lower of three arched plenas
of rugged pilasters apparatus and the superior, of the cells, formed by gallery race of
six tramos supported by colunelos. To the centre, a well of high cylindrical bottlenecks in
colunlinks, allows the serventia of the rainwater cistern.
30-Ermida of Santo António
This ermida is situated approximately 2 Km to the northwest of the village of Rio de
Mills, in a place called the Village of Fidalgos. Founded in inaccurate period of the
second half of the Séc. XVIII, replaces the primal ermida of Saint Antoninho da
Road or Holy António the Old, which lay situated in the hereness of the Alteia,
relatively close to the Village of Fidalgos and which has completely ruined itself in the
last century.
The front of the building prolong itself on a high wall of false windows until reaching the gate
of the rustic courtyard that serves a solarengo palmet.
The chapel fronting is sister-in-law of singel pilasters, recurve fronton and axial campanarium
of volutas with enrolment. The portal and the high window, both guarded by marble
white, complete the set.
The interior of good proportions and rectangular plant, divide into nave and Capela-Mor
with cradle toppings, that lysis of adorning and this decorated. The floor is of baggers
stone plates from the site and the pulpit, from coarse quadrangular base in marble,
features traces of bars of the same material, replaced later by irons
forged old ones.
31-Ermida of N. S. of Guadalupe
23
This chapel situates about 2.5 Km south of Rio de Moinhos, next to the riverside of
Lucefece.
It is ignores the date of its foundation, but the building has architectural moth from the finals of the
five hundred years.
Grounded in paved frame of slate and brick, with resting mutes, the chapel
features facade of simple adintelled portal ladeed by two windows gradeed to the
level of the observer. Has overjugated triangular of discrete campanarium
stripped down from sineta, ladeoff from volutas with enrolment. Annexa juxtaposed to the commitment
nascent built himself the sacristia.
The interior has a rectangular vessel covered by cradle roof where they are visible,
patiently, in the sanca and footwear, remains of mural paintings, perhaps still seiscentist.
The little deep altar, torn in round arch, is later work.
Three niches of pilasters, rip at the bottom of the chapel: the central with the image of the
Titular virgin, Our Lady of Guadalupe and the sides with the figures of Saint
António and S. Joaquim.
32-Ermida of S. Gregorius
The exact date of its foundation is unknown. You know, though, that this chapel that diss
about 1.5 Km to the south of the village of Rio de Moinhos, it already existed in the year 1556.
The ermida composes of atarraced and long nartex, with three arcades and roof of two
waters, recently restored.
The pained pains the potent is smooth and devoid of supports, while the opposite extends-
if in constructions certainly connected to the religious service, which amped the ship and the
abside of the main building.
On the main facade, with pore of white marble and lintel recto very simple,
rose, axially, the campanarium stripped away from sineta and surmised by stone cross. À
similarity of the alpendre, the roof of the central body of the ermida is also of two waters.
Contrasting with the remaining ones, the cover of the chapel è of four waters, rekilled in
needle.
Interiorly, the ship, very singly and from rectangular plant with half-cannon roof, is
torn in the footpaths by blind arched of two tramos, without any washers. The
pavement is in brickle. Almost at the entrance on the side of the Gospel, peg the pulpit of the
rustic type, in masonry and with degrades in brick.
24
The abside, the oldest part of the chapel, possibly from the mid-Séc. XVI, has
quadrangular plant and is covered by half orange dome based on smooth trumps. Is
decorated by mural compositions of the ends of the Renaissance. In the background, is leaked the niche
with the image of the Holy Padroeiro, S. Gregory Pope, of upholstery and gilded wood,
popular work of certain artistic value, about 76 cm high.
33-Ermida of S. Lourenço
The ermation of S. Lourenço, lies on a hill without a viary access near the village of the
Nora, about 2.5 Km north of Rio de Moinhos.
Its foundation is very old, but inaccurate. It is known to find itself in ruins in the
beginning of the Séc. XVII, having been fully reedified in 1604.
It had religious service until 1965. From that date it was desecrained having been stolen
the sumptuary values, such as the balaústres of the pulpit, the bell and the doors of the temple,
as well as those of the casario of the attached capelania.
The building, which is found to be quite ruined, is built in thick masonry
reinforced with shisty lages. its façade, shows still the silhouette of a deep
reform in the Séc. XVIII, displays sober pains overjugated by discrete steepliners,
once overseen by cross pointing the sky.
The portal, in washed white marble, from the type of angles protruding and framed, is from the
epoch of D. João V-D. Jose I. It is the only valid element of the exterior architecture.
Interiorly, the elongated rectangular plant ship, finds itself totally ruined.
The quadrangular plant sanctuary, primal body of 1604, has section cornija
lobulated and cover of the cupular type coated by radial system. is,
equally, rather ruined.
34-Standard of Montes Claros
This Military Monument, edited in the time of D. Pedro II (second half of the Séc.
XVII) to celebrate the glorious victory of the battle of Montes Claros, erected on the spot
where one waged the most lit of the renhida fight, is today sidelined by the road that connects
Bencatel to Rio de Moinhos, dishing about 3 Km of this last settlement.
Executed in white marble of the region, it is born on a three-step basis
quadrangular, scaled, donde breaks the pedestal, plinth and column of dic order,
enciled by the closed royal crown. It is currently championed by gradeation
25
brother-in-law of pillars. The commemorative inscription of the feat, is unfolded on three faces of the
pedestal.
35-Church of the Freguesia of N. S. da Orada
Second religious chronicles of the Séc. XVIII, this Church was founded by the Condestable D.
Nuno Alvares Pereira. Of that medieval temple, nothing subsists in topicality, only if
admitting that the sacristia goes back to the alvores of five hundred.
The current building, made of root in the Séc. XVIII, rise in the highest cabal of the
village.
The Church keeps the picturesque and unmistakable silhouette of the sacros monuments of the style
rustic alentejano.
The north side facade of the building is flanked by possant bolbous dome tower and
giant covered shingle by ampairing the follicobada cornija sacristia and stone cross
embete in the footwear, vestige of the ancient Via Sacra.
The frontrunner, of triangular pairing and marbled dining, is protected by vulgar alpenre
of three round rungs, rising from platform elevating by steps. In 1960
sacrificed one of these arches with the assembly of a ceramic panel allusive to the
traditional founder, the beato D. Nuno of Santa Maria. In the opposite beiral, subsists the
small sundial in white marble and quadrangular shape (Séc. XVIII).
The common grave of the papriels, which had captioned, today food by the action of the time,
extends in front of the solder of the singel garrison portal recta in marble.
Interiorously, the ship distributed over the long, with vaulted masonry vaulted from
white, had a modest eighocentist composition performed in water paint.
In the current side chapels in regional marble, enriched by retaxing of the
end of the séc. XVIII and the rococo style, venerate, on the side of the Gospel, the patron,
Our Lady of the Orada, and on the side of the Epistle, the Image of the Lord Jesus of the Passes.
The Capela-Mor of quadrangular plant, similarly raised in the finals of the Séc. XVIII,
torn by high arch-master of marble, had the railing of the balustrade commungatory
in stone until the summer of 1971, railing this one that was ripped off to rise an altar in
fine masonry, obeying the dictates of the Vatican Council II's Concum.
36-Fifth of the White Azenha
Situated about 1.5 Km north of the village of the Orada, next to the riverside of Alcaraviça,
this complex of buildings from the middle of the Séc. XVIII, constitutes, once, important
26
farm house, mainly of cereal production. Currently it is in complete
abandonment.
The broad solarenga, two-floor residence, has elongated shape, address
about the traditional Alentejano courtyard with its resting seats and utility casario
of the carrot-riders, barns and naps-preceded by a pilasters gate
with stylised urns remates, in marble.
The frontrunner, bordered by cunhais garnished by marbled stovees, is torn by
a series of windows and portals, highlighting the central set formed by access
top up over counter with feral railings that protect the balcony from the balcony of
semicircular endeavor.
The posterior footwear of the mansion stretched through the gardens with demarcated streets with
buxos, which were watered by the water of the riverside of Alcaraviça, although it existed
nascent drinkable served by the interesting source.
Contiguous to the gardens stands the pombal in ruins, construction imaged with particular
architectural whim, of portals and pilasters enriched with pinnacles and urns
neoclassical, of masonry.
Although completely abandoned, the main building features interiorly some
spaces in reasonable state of conservation.
The Village of Borba has been losing population, to the similarity of what has been ascertaining
in the whole of Alentejo as well as the interior of the country.
The evolution of the population in the Borba concelho was characterized by some variations,
reflection of the social, economic, political and cultural transformations that occurred in the Country and
in the Alentejo Region. We can identify three distinct periods that have marked the
demographics of the Concelho, specifically:
From 1900 a to 1930: in this period the Borba Concelho presented an evolution
positive population, with rates of variation below 9%. At the end of this period the
Concelho held 8,094 inhabitants, which is equivalent to a growth of 23.55% face to
1900 (plus 1,543 inhabitants).
From 1930 a to 1960: these two decades were marred by population growth
of about 28.87% (plus 2,337 inhabitants). However it was in the 30 that if
have verified the highest growth rates of the population (about 19%) motivated
by the influx of labour from other regions of the country to work in the activities
agricultural that in this period suffered a strong boost with the launch of the
"Campaign of the Trigo" by the New State. Unlike the previous period, the factor
27
fundamental that was in the genesis of such significant population growth was the
migratory component, essentially masculine.
From 1960 a to 2001: this last period represented a total break with the trend of
population growth recorded previously. The 60 was marked by
a process of "emptying" population motivated by a migratory flow
significant towards the main urban-industrial centres of the Country,
particularly for the Metropolitan Area of Lisbon, and for Europe. This phenomenon
has had very negative repercussions on the population structure of the Concelho and its
growth dynamics with the working-age and working-age output of procreate. From
1970 a 2001 saw the maintenance of the decreasing trend of the population, although the
a less high tempo, underpinned by negative natural and migratory growth.
In 2001, the Borba concelain counted with 7,782 inhabitants, minus 472 individuals
relatively to the previous censitary year (-5.72%).
We seek, at this time, to reverse this situation by creating infra-
structures that we hope will come to make the county attractive in terms
population, looking for it to become the largest pole in the region.
In the following table we will present the distribution of the population by the freguesias of the
concelho: Mactress and S. Bartholomew, with markedly urban and Rio de
Mills and Orada, of more rural characteristics.
-Resident population (Concelho/Freguesias)-Census 2001
FREGUESIA 1991 2001
Array 3,570 to 3,701
S. Bartholomew 1148 to 932
River of Moines 2,462 to 2,271
Orada 1074 to 878
Total 8,254 to 7,782
Source: Census 2001
How we will be able to check the population decrease continues to resentment. However,
recent demographic projections point to the stabilization of the population in the
next years.
The migratory outbreak of eastern and other emigrants will impact in the coming years,
seeing that the age ranges that here install themselves are predominantly the tracks in
age of procreation.
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The extractive and transformative activity of marbles is the sector responsible for
much of the employment of the male population. A growing demand for the
products from this sector have raised its development, whose final product is intended to
to the domestic market, either for export.
In general traits, the concelho industry presents itself in the development phase
existing various potentials in certain subsectors, in development
of the county and investments made (for example the implantation of two Zones
Industrials: "Cross of Christ" and High of the Baccales ").
The transformation of marble is one of the subsectors with the potential to grow. One of the
major challenges that the row of the extraction and transformation of the Mármore faces is
reach in the county a degree of higher processing of the extracted matter and
erase its almost artisanal feature.
In the agri-food industry salient:
-The activities linked to the viticulture and winemaking that traditionally has
contributed to the development of the county and which continues to be expanding.
-The activities linked to olive growing and production of olive oil that is incrementing and
hopes to come to develop to keep in operation the Laying of Olive oil better
equipped from the region.
-Also the products derived from milk, in particular the cheese, the production of which is,
however, essentially handcrafted, in small family units, existing also the
filled production, resulting from the extensive creation of "black pig" in regime
extensive.
The tertiary sector is dominated by public administration and trade, in bulk or
in retail (made up of small businesses, of three workers, on average). The
tourism is one of the growing areas, however, the lack of capacity of
accommodation decreases staying in Borba, even though in this area they have been made
major investments (Rural Hotel, Village tourism, Housing Tourism and
Rural Tourism). In this area it is also to highlight the important activity linked to the
marketing of the antiques, where major investments are planned.
The Village of Borba has the following infrastructures, collective equipment:
-EB School 2, 3 with School Library
-Schools EB1-5
-ATL (Atelier of Free Times)-4
-Recurrent Education (1º Cycle)-1
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-Municipal Library-1
-Museological Core-1
-Childhood Garden of the solidary network (Holy House of Mercy)-1
-Creche of the solidary network (Holy House of Mercy)-1
-Public Infancy gardens-4
-Centre for Health-1
-Extensions (Centre for Health)-4
-Firefighters ' barracks-1
-Cemetery-3
-Cine-Theatre -1
-Free Air Amphitheatre-1
-Internet Space-2
-Barn of Culture (Space for temporary Expositions and Sessions)-1
-House of the People-2
-Public Garden-1
-Mármore Tematic Park-1
-Children's Park-7
-Municipal Swimming Pool discovery-1
-Fields of Football-3
-Gimnosport Pavilion-1
-Polidsports-5
-Square of Touros-1
-Municipal Markets-2 (Borba and S. Tiago)
-Parks and Markets-2
-ETAR's (Waste Water Treatment Stations)-7
-Águas Clorage Station-2
-Ecocentre-1
-Regional Station of Solid Waste Transfers-1
-Storage Reservoirs and Water Elevation-5
-Rank of GNR-1
-Distribution of Finance-1
-Conservatory and Civil Register-1
-Regional Delegation of Social Security-1
-Agrarian Zone-1
30
-Home of 3ª Age (Holy House of Mercy)-1
-Day Centers-2
-Elderly Workshop-1
-Convivid Centers-4
-Banking Institutions-6
-Multibank Boxes (ATM terminals)-7
-Post Station-1
-Square of Taxis-1
-Local Development Associations-1 (ADMC)
-Local Radio-1
-Local Newspapers-1
-Petrol pumps-6
-Schools of Conduction-2
-Medical Clinics-1
-Laboratories of Analyses-2
-Physiotherapy Clinics-1
-Pharmacies-3
-Medication posts-1
Marbles:
-CEVALOR (Center for Ornamental Rock Appreciation)-1
-Extraction / Transformation Industries-19
-Workshops-
Establishments of Restoration:
-Restaurants-24
-Cafes-26
-Pastries-8
-Quiosks-2
-Bares-8
Agro-Food Industries:
-Cellars-27
-Queijries-22
31
-Salsicharias-2
-Laying of the Olivkeepers Cooperative-1
-Producers of Ameixa-1
-Bakeries-7
Trade and Services:
-Stores of Antiquities-17
-Retail retail stores-150
-hairdressers-7
-Establishments of Artesmen-19
Collectivities
-Sporting / Recreational-10
-Social Support-5
-Local Development-2
Accommodation
-Village Tourism Units-1
-Housing Tourism Units-2
-Rural Hotel-1
-Residential-4
The Village of Borba thus generically fulfils the requirements set out in Law n.
11/82, of June 2, to be raised to the category of city, so under the
applicable constitutional and regimental provisions, I present from the following project of
law:
Single article
The village of Borba, in the county of Borba, is elevate to the category of city.
Assembly of the Republic, January 5, 2007
The Member Deputy The Deputy
Paula Noble of God Bravo Nico