Chapter 1	The subject and content of the Copyright
Chapter 2	Depreciation of copyright and the management of rights under contract license
Chapter 3	Copyright transition to other
Chapter 4	Validity of the Copyright
Chapter 5	Other Rights
Chapter 6	Various provisions
Chapter 6 a	Technical measures, etc.
Chapter 6 b	Orphans
Chapter 7	Law enforcement
Chapter 8	Scope of the law
Chapter 9	Entry into force and transitional provisions

Publication of copyright law 1)

In this respect, copyright law is announced, cf. Law Order no. 202 of 27. This is, February 2010, with the changes that result from the law. 380 of 17. April 2013 and Law No 741 of 25. June 2014.

The procladiate legal text concerning the footnote to the title of the law, section 11 (1). Paragraph 1 (1). TWO, ONE. pkt., and paragraph. THREE, ONE. pkt., section 35, paragraph 4-7, section 47, paragraph. TWO, ONE. pkt., section 66, paragraph. 2, section 67 (4). 2 and Chapter 6 b shall enter into force on 29. October, 2014, cf. Section 2 (2). 1, in Law No 1. 741 of 25. June 2014 on the amendment of copyright law (Certain permitted uses of orphan works and alteration of the contract licensing provision for cable spread).

Chapter 1

The subject and content of the Copyright

Protected works

§ 1. The originator of a literary or artistic creation of a literary or artistic plant has the right to the plant, whether it appears in writing or in writing or in terms of fiction or fiction, as a musical or a masterpiece, as a film or photographic film ; the work of art, building art or usable art, or that has been expressed in a different way.

Paragraph 2. Cards and drawings and others in graphical or plastics exported works of descriptive nature shall be used for literary works.

Paragraph 3. Worker in the form of computerized programs shall be counted as literary works.

Contents of the protection

§ 2. Copyright, with the limitations provided for in this Act, shall result in the creation of copies of it and by making it available to the public in the original or altered form, in translation, in translation, Other literature or art or other techniques.

Paragraph 2. The production of any direct or indirect, temporary or permanent, whole or part of the specimen in any form shall be regarded as exemplary, temporary or permanent, or in part, or in part, in any form. The manufacture of specimens shall also be considered to be the case that the plant is transferred on a device which may render it.

Paragraph 3. The host is made available to the public when

1) copies of the plant are offered for sale, rental, or lending or otherwise spread to the public,

2) copies of the plant are shown in public or,

3) the plant shall be made public.

Paragraph 4. As a public performance in accordance with paragraph 1. 3, no. 3, shall also be considered

1) the wireless or wireless transfer of works to the public, including broadcasting on the radio or television sets and the availability of works in such a way as to access them at an individually selected location and time ; and

2) production in an enterprise which takes place for a larger circle which otherwise may be regarded as non-public.

§ 3. The author of the sea is entitled to be named in accordance with what good practice requires, as well as copies of the plant, as when this is made available to the public.

Paragraph 2. The host must not be changed or made available to the public in a manner or in a context that is affront to the literary or artistic nature of the originator or artistic or self-interest.

Paragraph 3. In accordance with this paragraph, the author of this paragraph may not be disclosed unless it is subject to the use of the plant, as defined by nature and to the extent of the plant.

Develations

§ 4. The person who translates, reworks or otherwise works in a work order, including transferring it to another literature or art, is entitled to the plant in this form, but cannot be provided in a manner which conflicts with the copyright ; the original work.

Paragraph 2. The right to a new and independent work that has been produced through the free use of another is not dependent on copyright to the original work.

Samleworks

§ 5. The person who collating works or parts of works produced a literary or artistic assembly shall be entitled to this, but the right to copyright is not restricted to the individual works.

Common

§ 6. A work of two or more authors, without the individual's contribution to be separated as independent works, has the copyright of the works together. However, any one of them can claim a case of legal violations.

The request for the proprietor and so on of the copyright in question

§ 7. The author ' s author shall be deemed to have no other illuminated, the name or general type of pseudonym or mark, in the usual manner, of the work or the mark when it is made available to the general public.

Paragraph 2. Where a work is published, without the author ' s author in accordance with paragraph 1, 1, if this has been mentioned, the publisher may act on behalf of the publisher, until such time as this is indicated on a new warehouse.

Publication and publication

§ 8. A work is deemed to have been published when it is made available to the public.

Paragraph 2. A work shall be deemed to be published when copies of the plant with the author ' s consent have been placed in the trade or otherwise spread among the general public.

Public access to documents

§ 9. Laws, administrative provisions, court decisions and similar public access are not the subject of copyright.

Paragraph 2. The provision in paragraph 1 shall be Paragraph 1 shall not apply to works which appear as independent contributions in the provisions of paragraph 1. Paragraph 1 mentioned above. Such works must, however, be re-administered in the case of the dossier. The right to further use depends on the rules in force otherwise.

Relationship for the protection of other legislation

§ 10. Protection under the design rule does not exclude copyright.

Paragraph 2. The design of semiconductor products (topography) does not enjoy protection under this law, but is protected in accordance with the rules of the law on the protection of the design of semiconductor products (topography).

Chapter 2

Depreciation of copyright and the management of rights under contract license

General provisions

§ 11. The provisions laid down in this Chapter and Chapter 6 do not reduce the right of the author ' s right under paragraph 3, in addition to the consequences of Article 29.

Paragraph 2. Where a work is used in accordance with this Chapter and Chapter 6 (b), the plant may not be amended to a further extent than the authorised use requires. In public, the plant must be stated in accordance with the good custom.

Paragraph 3. Where a work is used in accordance with this Chapter and Chapter 6 (b), it shall not be permitted to produce copies on the basis of a reproduction of the works in violation of Article 2 or on the basis of a circumvention of a technical measure in contravention of section 75 c (1). 1. the provision in 1. Act. shall not apply to the manufacture of copies pursuant to Article 16 (1). 5.

Non-Persistent specimen

§ 11 a. It is permitted to present temporary copies, which :

1) are volatile or random,

2) constitutes an integrated and essential part of a technical process,

3) solely for the purpose of enabling the transmission of a work of a medium to a network between third parties or a lawful use of a work and,

4) does not have an independent economic value.

Paragraph 2. The provision in paragraph 1 shall be Paragraph 1 does not apply to computer programs and databases.

Personal use for example :

§ 12. In the case of a published work, any production or production must be produced by any specimen for his private use, provided that it does not take place in business purposes. Such copies must not be used in any other way.

Paragraph 2. The provision in paragraph 1 shall be 1 does not grant the right to

1) building a building,

2) manufacture a specimen of a work of a piece by afcast at the fingerprint of the original plate or the cane or in any other way, which means that the specimen may be regarded as an original ;

3) producing copies of computer programs in digitised form ;

4) manufacture copies in digital form of databases where the use of the database is carried out on the basis of a database rendering in digital form, or

5) produce specimens in digital form of other works other than computer programs and databases, unless it is solely for personal use by the manufacturer or his household.

Paragraph 3. By way of derogation from paragraph 1 2, no. In the case of 5, it is not permitted without the consent of the originator to produce copies in digital form on the basis of a copy which is borrowed or rented.

Paragraph 4. The provision in paragraph 1 shall be 1 does not grant the right to use foreign aid at the time of the presentation of the case of the case of :

1) Musicians,

2) cinema,

3) literary works provided that the foreign co-aid is included in business purposes ;

4) works of service unlocked, or

5) works of art, provided that such an admiration has the form of an artistic reproduction.

Paragraph 5. The provision in paragraph 1 shall be 1 does not grant the user the right to use technical equipment available to the public on libraries, in the business premises or in other publicly available places, by the use of the equipment used for the public service. The same applies to literary works, provided that the technical equipment has been made available in business purposes.

Sample manufacture in the teaching establishment

§ 13. In the case of use in educational activities, copies of published works may be produced and by recording a copy of works sent out on radio or television if the conditions for contract license after section 50 are fulfilled. The copies mentioned may be used only in the field of teaching, which is covered by the 50 prefixed agreement in section 50.

Paragraph 2. The provision in paragraph 1 shall be 1 on recording shall not apply to cinemas forming part of the cinema of the cinema, unless televisions have been used only for minor parts of the works.

Paragraph 3. The provision in paragraph 1 shall be 1 on the example of the production of published works shall not apply to computer programs in digital form.

Paragraph 4. Apprentices and pupils must, as a part of the educational undertaking, carry out footage of their own projection of works, provided that it does not take place in a business environment. The tape must not be used in any other way.

Paragraph 5. Is there any question as to whether an organisation, after paragraph 50, is referred to in paragraph 50? 4, has been approved to conclude contracts covered by paragraph 1. 1, providing unreasonable terms to reach agreement, each party may present the question of the Copyright List of the Sea of the Sea, cf. § 47. The Board may lay down the terms and conditions, including the amount of the fee.

Sample manufacture in business activity, etc.

§ 14. Public or private institutions, organizations and business operators may for in-house use in photocopying or similar manufacture or manufacture specimens of technical articles in newspapers, journals, and assembly lines, of short sections of other published works of a professional nature, of music works, and of illustrations rendered in connection with the text, provided that the terms of contract license after section 50 are met. Such copies may be used only within a company within which it shall be subject to the contract in section 50.

Paragraph 2. Is there any question as to whether an organisation, after paragraph 50, is referred to in paragraph 50? 4, has been approved to conclude contracts covered by paragraph 1. 1, providing unreasonable terms to reach agreement, each party may present the question of the Copyright List of the Sea of the Sea, cf. § 47. The Board may lay down the terms and conditions, including the amount of the fee.

Sample manufacture of hospitals, etc.

§ 15. Hospitals, nursing homes, prisons and other 24-hour health care establishments, criminal services and similar establishments must be required for short-term use for the residents of the institution, and to carry out recordings of works sent on radio or television ; provided that it does not take place in business purposes. Such recordings may be used only within the institution concerned.

Archives, libraries, and museums

§ 16. Public archives, public libraries and other libraries, which are wholly or partly financed by the public, as well as state museums and museums approved following the museum slop, may render and propagate copies of works for use in their own undertakings in accordance with the provisions laid down in paragraph 1. Two to six, provided that it does not take place in business purposes. However, this does not apply to computer programs in digital form other than computer games.

Paragraph 2. The institutions may manufacture specimens in the safety and protection purposes of the institutions.

Paragraph 3. If a copy of an institution's collection is incomplete, the institution may produce copies of the missing parts, unless it is possible to acquire it in ordinary trade or the publisher.

Paragraph 4. Libraries may produce copies of published works which should be available in the library's collection but which cannot be acquired in ordinary trade or with the publisher.

Paragraph 5. Copyright shall not preclude the production of specimens in accordance with the provisions of the obligation to merge the law.

Paragraph 6. Copies produced in accordance with paragraph 1. 3-5 or delivered pursuant to the Law on Obligation of Material Committed Material, must be locked to users. The same applies to special cases produced in accordance with paragraph 1. Second, the provisions of 1. and 2. Act. shall not apply to images of images and copies produced in digital form or in the form of light-recording.

Paragraph 7. The right to further use of the copies made pursuant to paragraph 1. Two-five, by the way, depends on the rules in force.

§ 16 a. Published works may be made available to individuals on the works referred to in section 16 (3). The institutions referred to in Article 1 (1) of this Directive shall be used to review or study the site by means of technical equipment.

Paragraph 2. Copies produced or delivered under the obligation of the obligation to merge the law shall notwithstanding the provision referred to in paragraph 1. 1 only be made available in the Royal Library, the State Library, and the Danish FilminInstitute for individual persons at a time.

Paragraph 3. The people in paragraph 3. 2 the institutions referred to shall have to transfer and hand over specimens of dedicated works published on radio and television, cinemas and works published in electronic communications networks for research purposes, provided that the works cannot be used, acquired in general trade. Such copies must not be used in any other way.

§ 16 b. Public libraries and other libraries, wholly or partly financed by the public, may be able to order in digital form reproduce articles from newspapers, journals and collects, shorter sections of books and other published literary works, as well as illustrations and nodes that have been reproduced in connection with the text, provided that the terms of contract license after section 50 are fulfilled. The provision in 1. Act. does not include broadcasting on the radio or television or the availability of works in such a way that the public access is given access to them at an individually selected location and time, cf. Section 2 (2). 4, no. ONE, TWO. joints.

Paragraph 2. Is there any question as to whether an organisation, after paragraph 50, is referred to in paragraph 50? 4, has been approved to conclude contracts covered by paragraph 1. 1, providing unreasonable terms to reach agreement, each party may present the question of the Copyright List of the Sea of the Sea, cf. § 47. The Board may lay down the terms and conditions, including the amount of the fee.

Syns and reaping disabled

§ 17. It is permissible to render and disseminate copies of published works when the rendering and the scattered specimens are specially intended for use for the blind, weak-sighted, deaf and talelites, and also people who are unable to do so on account of disabilities Read printed text. The provision in 1. Act. shall not apply to the rendering or the return of an example in the case of commercial purposes.

Paragraph 2. The provision in paragraph 1 shall be Paragraph 1 shall not apply to the use of sound recordings of literary works or on renditions consisting solely of sound recordings of music works.

Paragraph 3. The sound recordings of published literary works must be rendered and disseminated to be used for the use of syns and disabled people when it does not take place in business purposes. The Originator has a claim for remuneration. If no agreement can be reached on the level of remuneration, each of the parties may present the question of the Copyright Board of the Sea, cf. § 47.

Paragraph 4. State or local authority institutions and other social or non-profit institutions may be used for the use of the sound and reaping handicapped by sound or image of the producing specimens of works being sent on radio or television, if : the terms of contract licence after section 50 are met. Such recordings may be used only within a company within which it shall be subject to the contract in section 50.

Manufacture of antologia for use in educational activities, etc.

§ 18. Smaller parts of literary works and works of music or such works of low-scale literary activities may be reproduced in intercourse by contributions of a larger number of authors, after the year after year, when the plant became published. In connection with the text, works of art and works of descriptive nature, cf. Section 1 (1). Two, rendered, when five years has been the year after that, when the plant was published. The Originator has a claim for remuneration. If no agreement can be reached on the level of remuneration, each of the parties may present the question of the Copyright Board of the Sea, cf. § 47.

Paragraph 2. The provision in paragraph 1 shall be Paragraph 1 shall not apply to works drawn up for educational purposes, or where the reproduction is carried out in a professional sea.

Paragraph 3. Individual consented songlyrites may be rendered in sangheans for the use of the participants in a meeting. However, no more than 300 copies must be made of each sanghteer.

Spreading of copies

§ 19. When a copy of a work of the author ' s consent is sold or otherwise transferred to others within the European Economic Area, the copy of the copy must be spread. In the case of dissemination in the form of lending or renting, the provision shall be made in 1. Act. also use by means of sale or other form of transfer to others outside the European Economic Area.

Paragraph 2. By way of derogation from paragraph 1 1 may not be permitted without the consent of the author of the general public to spread the copies of works by means of rental. However, this does not apply to buildings and usable art.

Paragraph 3. By way of derogation from paragraph 1 Paragraph 1 shall not be permitted without the consent of the author of the author of the general public to disseminate specimens of cinemas and specimens of computer programs in digitised form through lending. This does not apply, however, when a copy of a computer program in digitised form forms part of a literary work and is unlocked in conjunction with this.

Paragraph 4. The provision in paragraph 1 shall be Paragraph 1 shall not result in a restriction on the right to receive a tax and so on after the law of the library tax.

Viewing of copies

20. Where a work is published, or when a copy of the author of the author is assigned to others, the published copies or transferor shall be shown in public.

Public performance

§ 21. A published work which is not a stage or a piece of work may be carried out in public ;

1) on occasions where the public belong or the audience has access without payment, if the performance is not the essential part of the measure in question, and if it does not take place in business purposes, and

2) when the performance is used for service or instruction.

Paragraph 2. The provision in paragraph 1 shall be 1, no. 2, shall not apply to the performance of radio or television, as well as for performance in training activities taking place in business purposes.

Quote

§ 22. A published work is permitted to quote in accordance with good practice and to the extent to which the objective is being conditionally.

Rendering of works of art and so on

-23. Published works of art and works of descriptive nature, cf. Section 1 (1). 2, may be rendered in critical or scientific positions in connection with the text when it is done in accordance with good practice and to the extent to which the objective is being conditionally. The return must not take place in business purposes.

Paragraph 2. Published works of art may be rendered by reference to daily events in newspapers and journals when it is done in accordance with good practice and to the extent to which the objective is being conditionally. The provision in 1. Act. shall not apply to works produced in the case of reproduction in newspapers or journals.

Paragraph 3. The works of art or specimens of artistic works of the originator may be rendered in newspapers, journals, films and television when the rendering is of minor importance in the context in question.

§ 24. Artists forming part of a collection or displayed or offered for sale may be rendered in catalogs of the collection. Such works of art may also be rendered in messages of exhibition or sales, including in the form of transference to the public.

Paragraph 2. Artistic works must be made available when they are permanently placed on or at one for the general public space or road. The provision in 1. Act. shall not apply where the work of the works is the main motivation and the re-use of the market.

Paragraph 3. Buildings are allowed to be depicated.

§ 24 a. Published works of art may be rendered if the terms of contract license after section 50 are fulfilled. However, this does not apply if the author of any of the parties to contract law has imposed a ban on the rendering of the shipyor.

Paragraph 2. Is there any question as to whether an organisation, after paragraph 50, is referred to in paragraph 50? 4, has been approved to conclude contracts covered by paragraph 1. 1, providing unreasonable terms to reach agreement, each party may present the question of the Copyright List of the Sea of the Sea, cf. § 47. The Board may lay down the terms and conditions, including the amount of the fee.

Reportage of day events and so on

§ 25. When the performance or display of a work is included in a day's event and this is rendered in the movies, radio or television, the plant must be included to the extent that it is a natural link in the rendering of the day event.

§ 25 a. The host that forms part of the payment that has been granted access to after paragraph 90 (1). 3, in the law of broadcasting, as well as rules issued in accordance with section 90 (3). 5, in the same law, shall be rendered in accordance with section 90 (3). 4, in the law on radio and television, as well as rules issued in accordance with section 90 (5). Five, in the same law.

Public negotiations, public access to documents, etc.

SECTION 26. Negotiations in Parliament, the municipal boards and other elected public authorities, in legal proceedings and at public meetings held to debate general issues, must be rendered without the consent of the author. However, the author of the sea has the sole right to publish collections of his own speeches.

§ 27. In the case of copies of works protected under this law to a managing authority or court in the case of its business, copyright does not prevent others from requesting access to copies of works, including those required to be subject to : transcript or copy, in accordance with the provisions of the legislation. The same applies to works produced within the administrative authority or court.

Paragraph 2. Copyright shall not preclude the fact that, in accordance with the provisions of the Ministry of Culture, the filing of the archive or an institution which has been delivered to a public archive or institution which may be regarded as equivalent to that of the Minister of Culture may be made available to the public, in accordance with the legislation of the archives ; provisions for this. However, copies of private archivalies must not be provided.

Paragraph 3. The right to any further use of works to which paragraph shall be used in accordance with paragraph 1. 1 or 2 of which a given access has been granted or, in any case, the published transcripts or copies shall be subject to the applicable rules.

§ 28. It shall be permitted to the extent that the intended purpose is to render works in connection with :

1) legal proceedings and cases of administrative fifists and the like ; and

2) proceedings in the field of public authorities and institutions which are a matter for the Parliament.

Paragraph 2. The right to further use depends on the rules in force otherwise.

Modification of buildings and articles of use

§ 29. Buildings can be changed by the owner without the author ' s consent when it does so for technical reasons or for their practical applications.

Paragraph 2. Shoe items may be changed by the owner without the author ' s consent.

Special provisions on radio and television

-$30. DR, TV 2/DANMARK A/S and the regional TV 2 companies may on radio or television broadcast published works if the terms of contract license after section 50 are met. The provision in 1. Act. does not apply to scenes and cinemas.

Paragraph 2. The operator may, in accordance with paragraph 1, prohibit the radio or television company ' s programme of expulces. 1.

Paragraph 3. The Minister for Culture may fix the provisions of paragraph 1. The provisions of 1 and 2 shall apply by analogs to agreements concluded by other radio and television establishments.

Paragraph 4. The provision in paragraph 1 shall be Paragraph 1 shall apply by analogy when the originator of a work of art has transferred one or more copies to others.

Paragraph 5. The provision in paragraph 1 shall be ONE, ONE. .. shall not apply to broadcasts via satellite unless, at the same time, the broadcast of the radio or television company is carried out over a ground unit.

Paragraph 6. Is there any question as to whether an organisation, after paragraph 50, is referred to in paragraph 50? 4, has been approved to conclude contracts covered by paragraph 1. 1, providing unreasonable terms to reach agreement, each party may present the question of the Copyright List of the Sea of the Sea, cf. § 47. The Board may lay down the terms and conditions, including the amount of the fee.

§ 30 a. The works published in DR's, TV 2/DANMARK A/S ' and the regional TV companies ' own productions may be resubmitted and made available in such a way that public access is accessible to them ; an individually selected location and time, cf. Section 2 (2). 4, no. ONE, TWO. link if the terms of contract license after section 50 are met. The provision in 1. Act. shall apply mutatis mutis to the appropriate production, which is necessary for the re-submission. The provisions of 1. and 2. Act. applies only to works forming part of productions which have been issued before the 1. January, 2007.

Paragraph 2. The operator may, in respect of the radio or television company, prohibit the surrender of the shipyor in accordance with paragraph 1. 1.

§ 31. The broadcasters of Radio and Television shall be used to record works on tape, films or other information which may render them subject to the right to send out the works. The right to make such work is made available to the public, by the way, depending on the rules in force.

Paragraph 2. The Minister for Culture may lay down detailed rules on the conditions for such recordings and on the use and storage of such recordings.

§ 32. Discussion broadcasts on radio and television, under which general issues are discussed, must be rendered without the consent of the author. However, the author of the sea has the sole right to publish collections of his own speeches.

§ 33. (Aphat)

§ 34. Radio and television broadcasters may, at the request of their request, supply recordings of radio and television broadcasts to persons who have been involved in the programmes in question, or who consider that they are violated by reference in a specific programme or through public reference to the programme in question. Exclusions that have been provided under 1. PC may be used for internal use only.

$35. Worker sent by radio or television broadcasters may at the same time and without further transmission of cable installations and on the same basis shall be transmitted to the public by radio installations, provided that the conditions for the contract license after section 50 are met. The provision in 1. Act. does not apply to rights concatenated by the radio and television companies.

Paragraph 2. By way of derogation from paragraph 1 1 may work which is part of a wireless radio or television broadcast received by its own antenna, further transmitted to cable installations which do not cover more than 2 connections.

Paragraph 3. The owner of a plant referred to in paragraph 1. 1 shall be responsible for the agreement on the transmission of radio and television broadcasts over the plant. Is a fee the owner of the owner must pay after an agreement entered into in accordance with paragraph 1. 1 or a warrant from the Copyright List in accordance with section 48 (3). 1, as set out as an amount per connectivity is the user of the individual connection obligation to pay the owner a sum corresponding to that amount.

Paragraph 4. Worker sent to the radio or television may in any other way be possible other than those provided for in paragraph 1. 1, if the conditions of contract license after section 50 are fulfilled, others shall be resupplied. The provision of such information and availability of works in such a way as to access them at an individually selected location and time in accordance with the procedure laid down in accordance with the procedure laid down in accordance with the procedure for the public shall be given. Section 2 (2). 4, no. 1, must be carried out in time-related assignment to the broadcast.

Paragraph 5. The host system shall be made available in such a way that the public access is given access to them at an individual selected location and time, cf. Section 2 (2). 4, no. 1, may be made available by others in such a way that the public access is given access to them at an individually selected location and time, cf. Section 2 (2). 4, no. 1 where the addensement of the on-call time is done in the same manner and within the same period as the availability of the radio or television undertaking and the conditions of contract license after section 50 are fulfilled. The sample preparation necessary for the adoration shall be carried out.

Paragraph 6. The provisions of paragraph 1. 4 and 5 shall not apply where the author of any of the parties to contract law has been banned from the exploitation of the shipy; The provisions shall not apply to rights which are contained by the radio and television companies.

Paragraph 7. Is there any question as to whether an organisation, after paragraph 50, is referred to in paragraph 50? 4, has been approved to conclude contracts covered by paragraph 1. 4 or 5, providing unreasonable terms to reach agreement, each of the parties may present the question of the Copyright Board of the Sea, cf. § 47. The Board may lay down the terms and conditions, including the amount of the fee.

Special provisions concerning computerized programmes etc.

§ 36. The one entitled to use a computer program must :

1) make such copies of the programme and make such changes to the programme, which are necessary for the person concerned to be able to use it in accordance with its purpose, including the correction of errors ;

2) manufacture a security sample of the programme insofar as it is necessary for the use of it, and

3) careful, examine or test the computer program to determine the ideas and principles on which the individual elements of the programme are based on such load, viewing on screen, driving, transfer, storage ; or similar to that of the programme which is eligible for the exercise of the programme.

Paragraph 2. The person who has the right to use a database must perform such acts, which are necessary for the person concerned to be able to access the database contents and make normal use of this.

Paragraph 3. The provisions of paragraph 1. 1, no. 2 and 3, as well as paragraph 1. 2 may not be deviated by agreement.

§ 37. Copies of a computer program code and the translation of the code of the code are permissible, provided that it is necessary to obtain the information necessary to ensure interoperability between a self-developed computer programme and other computerized programmes, provided that :

1) the operations shall be carried out by the holder or by another person who is entitled to use a copy of a computer program, or on their behalf of a person authorized to do so ;

2) the information required to achieve interoperability has not previously been easy and easily accessible to the information referred to in paragraph 1. 1 people mentioned, and

3) the actions are limited to the parts of the initial computerized program needed to achieve interoperability.

Paragraph 2. The information obtained in connection with the application of paragraph 1. 1, may not

1) are used for purposes other than making the independent computer program interoperable ;

2) disclosure to third parties, except where this is necessary to make the independent computer program interoperable ; or

3) be used for the development, manufacture or marketing of a computer program which, in its expression form, corresponds to the original or any other act which violates copyright.

Paragraph 3. The provisions of paragraph 1. 1 and 2 shall not be permitted by agreement.

Emotional Sweetlayers

§ 38. Copyright shall be entitled to remuneration for copies of works of art, including paintings, collages, drawings, graverings, pressure, lithos, sculptures, weights, carpets, ceramic art, glamour, and photographic works (sensor prune layers). The provision in 1. Act. specimens of works of art produced in one copy or in a limited number of the author himself or with his authorization. The provision in 1. Act. does not include building works.

Paragraph 2. Emotional prune layers shall be paid at all resale sales to which sellers, purchasers or intermediaries participate in the art market, including auction houses, art galleries and art dealers. The obligation to pay the payment shall be borne by the seller or the intermediary. Payment shall be paid only if the selling price exceeds EUR 300 (excl. VAT). The total remuneration cannot exceed EUR 12,500 (excl. VAT (VAT) per Copy.

Paragraph 3. The payment is calculated as :

1) 5%. of the part of the selling price, which amounts to up to EUR 50 000 (excl. VAT),

2) 3%. of the part of the selling price between 50/000,01 and 200 000 euro (excl. VAT),

3) 1%. of the part of the selling price between 200.000,01 and EUR 350 (excl. VAT),

4) 0.5%. of the part of the selling price between 350.000,01 and EUR 500 000 (excl. VAT), and

5) 0.25%. of the part of the selling price, which is more than EUR 500 000 (excluding any other). VAT).

Paragraph 4. The right to payment is made up to the expiry of the copyright, cf. § 63. This court is a personal and unensurable way. After the death of the author, the court is passed on to the author's spouse and to life-heirs. If the author does not leave his spouse or his life heirs, the charge shall be attributable to the organisation referred to in paragraph 1. 5.

Paragraph 5. Emotional pruning layers can only be made by an organisation approved by the Minister for Culture. The organisation shall be responsible for the collection and shall make the allocation to the eligible people. The claim against the organisation shall consist of up to three years from the end of the year in which the resale took place. Determination shall be terminated by written claim by the person entitled.

Paragraph 6. The Minister for Culture shall lay down detailed rules on proceedings relating to the approval of the common organisation referred to in paragraph 1. 5.

Paragraph 7. Salesmen or intermediaries, cf. paragraph TWO, TWO. pkt., shall :

1) submit an annual statement to the organization, per 1. In June of the previous year's sales of works of art, which are subject to the sensor system, cf. paragraph 1 and 2, certified by a state sautorised or registered auditor and

2) in the case of request from the organisation within 4 weeks of receipt of the request, all the information necessary to ensure payment of remuneration shall be submitted when the organisation requests this within three years of the resale.

Remuneration for the use of the model for private use

§ 39. The manufacturing or the introduction of sound or video tape or any other means of recording or images may be accepted shall be paid to the authors of the authors of those referred to in paragraph 1. Two mentioned works.

Paragraph 2. The fee shall be paid for tapes etc., suitable for the production of copies for private use, and only for works published on radio or television sets on phonogram, films, videos or similar ones.

Paragraph 3. The administration and control, including collection, are carried out by a joint organisation, which represents an essential part of authors, performers and other rightholders, including gramophone plates etc. and photographers, where : works, performances, etc. shall be used in Denmark. The organisation must be approved by the Minister for Culture. The Minister may ask for all information on the collection, management and distribution of the remuneration.

Paragraph 4. The organisation shall lay down guidelines on the payment of remuneration to the justified, so that the distribution of the distribution is as possible in accordance with the copy that is carried out. However, one third of the annual amount of the payment shall be used for the purposes of joint support for the authors and others within the groups which are represented by the organisation, cf. paragraph 3.

Paragraph 5. The Minister for Culture shall lay down detailed rules on proceedings relating to the approval of the common organisation referred to in paragraph 1. 3.

§ 40. The fee is 2006 per year. Minute playing time for analog audio tape 0,0603 kr. and for analogue videotapes .0839 kr.

Paragraph 2. The fee is for 2006 for digital audible media 1,88 kr. per -digital imaging media 3 kr. per paragraph and for digital memory cards, $4.28. per paragraph

Paragraph 3. The people in paragraph 3. The fees referred to in 1 and 2 shall be adjusted from 2007 annually with the rate regulator, cf. Act of a rate adjustment percentage.

§ 41. Companies which make or use sound or video tapes must be reported at the joint organisation.

Paragraph 2. The organisation shall issue proof of the notification.

Paragraph 3. Entered undertakings are entitled to, without remuneration, have been enriched, to introduce or from another notified undertaking to receive sound or videotape that is liable for payment in accordance with section 39.

§ 42. The payment period is the month.

Paragraph 2. Entered undertakings shall make up to which the taxable number of sound and video tapes delivered during the period are delivered from the establishment and their gambling time.

Paragraph 3. In the company, undertakings which make use of sound or videotape for use in the establishment shall include the consumption of the delivery in accordance with paragraph 1. 2.

Paragraph 4. The decision shall be specified in accordance with guidelines to be determined by the Minister for Culture of the joint debate with the Joint Organisation. The Minister for Culture may also, after negotiating with the joint organisation, lay down guidelines for the control of the one in 1. Act. the inventory referred to.

Paragraph 5. The Minister for Culture may lay down rules intended to simplify the system of deduction or repayment of remuneration for sound and videotapes, etc., which are used for professional purposes, cf. § 43, paragraph. 1, no. Article 44 (3) and Section 44 (3). 1, no. 2.

Paragraph 6. Any person who resell audio and videotapes etc. has a duty to inform, at the request of the organisation within 4 weeks, to indicate to whom the tapes and so on are purchased.

§ 43. In the amount of the taxable quantity, the number of paragraphs 42 (2) shall be discharged. 2, dedudiable :

1) The number of sound and video tapes issued to another notified company after section 41 (1). 3.

2) The number of sound and video tapes that have been carried out.

3) The number of sound and video tapes that will be used for the purpose of professional purposes, including educational purposes.

4) The number of sound and video tapes that will be used for the production of recordings for use for the syns and reaping disabled.

5) The number of sound or videotape that will be used for specific purposes, which the Minister of Culture has been exempt from the remuneration.

Paragraph 2. The Minister for Culture may, after negotiating with the joint organisation, lay down guidelines for checks on deduction after paragraph 1. 1.

§ 44. Payment shall be repaid on

1) commercial export of remuneration-grade sound or video tape,

2) the use of remuneriated sound or video spirit for professional purposes, including teaching,

3) use of remunenated sound or video tape used for the production of recordings used by the syns or reaping persons with disabilities, or

4) use of remuneriated sound or videotape for specific purposes, which the Minister of Culture exempted from the remuneration.

Paragraph 2. The Minister for Culture shall lay down the detailed guidelines for payment repayment in accordance with paragraph 1. 1.

§ 45. Recommend undertakings shall keep accounts of the production, import and delivery, etc. of the sound and videotapement of the taxable persons.

Paragraph 2. The Minister for Culture shall lay down the procedures for the accounting procedures of the notified undertakings, including the issue of invoices and so on.

Paragraph 3. Entertaining undertakings shall keep accounting records for five years after the end of the financial year.

§ 46. Entered undertakings shall, at the end of each remuneration period and at the latest at the end of the following month, to the joint organisation indicate the quantity of sound and video cassette tapes and their gaming time, cf. ~ § 42 and 43. The company must, at the same time, with the declaration, collect the remuneration for the organization. The specification shall be signed by the company ' s management.

§ 46 a. The Minister for Culture can make the right-holders compensation for the difference between the provenuum for sale of blank DVDs for a particular year and for the sale of blank DVDs in 2005, to the extent that the former provenu is less in 2005.

Copyright

§ 47. The Minister of Culture is shutting down the Copyright Committee. The Board shall consist of a chairman and two members appointed by the Minister for Culture. The Chairman will be the Supreme Court judge.

Paragraph 2. The Centre shall be able to take a decision in accordance with sections 13 and 14, section 16 b, section 17, paragraph 1. Three, section 18, paragraph. Paragraph 1, section 24 a, section 30, section 35, section 7, section 48, paragraph. 1 and 2, Section 51 (1). 2, section 68, section 75 a, paragraph 1. 3, and section 75 d. The decisions of the jury may not be brought to the second administrative authority.

Paragraph 3. The Minister for Culture shall lay down detailed rules on the activities of the jury, including covering the costs of the operation of the jury.

§ 48. Refuses an organization approved in accordance with section 50 (2). 4, or a radio or television company without reasonable reasons, to give consent to works and broadcasts which are sent wireless, at the same time and without further transmission of cable installations or wireless, or offered on such transmission on the basis of such transmission ; where appropriate, the right of the Sea may inform the Member of the Commission of the request for such authorization and shall lay down the conditions for such authorization. The provision in section 50 (3). THREE, ONE. pkt; shall apply mutatis muctis. Copyright decisions by the Sea of the Sea shall be subject to 1. Act. does not have a binding effect on radio and television companies.

Paragraph 2. Refuses a radio or television undertaking after paragraph 69 to give consent to the operation of the radio or television broadcasts in a manner referred to in Article 13 (1). ONE, ONE. Pkt., 2. link or Section 17 (3). If there is no agreement on the conditions for such accession, the Copyright Board may, at the request of each of the Parties, communicate the necessary authorization and determine the conditions under which they are to be subject to such membership.

Paragraph 3. The provision in paragraph 1 shall be 2 shall apply only if an organisation of authors of authors has concluded an agreement which is subject to section 50, cf. Section 13 (1). ONE, ONE. Pkt., 2. link or Section 17 (3). 4. The provisions of section 49 shall apply mutatis muth.

Deprecated of remuneration requirements

§ 49. Payment requirements in accordance with section 17 (4). Three, section 18, paragraph. 1, and § 68 is obsolete after three years from the end of the year in which the work was carried out.

Paragraph 2. If the remuneration is made by an organisation, the provision shall apply in paragraph 1. 1 also for the author ' s claim against the organisation.

Paragraph 3. Determination shall be terminated by written claim.

Joint provisions relating to contract licensing

$50. Statement of Work for sections 13, 14 and § 16 b, section 17 (3). 4, and section 24 a, 30, 30 (30) and (35) may be invoked by users who have concluded an agreement on the relevant work of an organisation which includes a substantial part of the authors of a particular nature of works used in Denmark.

Paragraph 2. The Agreement License may also be invoked by users who have concluded an agreement on the use of an organisation which comprises a substantial part of the authors of a specific nature of works used in Denmark on it, in question. However, this does not apply if the author of any of the parties to contract law has imposed a ban on the exploitation of the shipyor.

Paragraph 3. The contract licence shall grant the user the right to use other works of the same kind, although the authors of these plants are not represented by the organisation. The contract licence shall grant the user the right to use the works not represented by the end-of-the-port works, and on the terms of the agreement entered into with the organisation.

Paragraph 4. Rights haverorganisations which conclude contracts covered by paragraph 1. The Minister for Culture, 1 and 2, must be approved by the Minister for Culture to conclude agreements on specified areas. The Minister may decide that an approved organisation in certain areas must be a joint organisation, which includes several organisations which comply with the requirements of paragraph 1. One or two.

Paragraph 5. The Minister for Culture shall lay down detailed rules on proceedings relating to the approval of the rights-holders ' organisations referred to in paragraph 1. 4.

§ 51. In the case of a forage use, the rules laid down by the organisation with regard to the distribution of remuneration between the authors whom the organisation represents shall apply mutatis mutilation to non-representative authors.

Paragraph 2. Non-represented authors may make claims on individual remuneration, even though such a right does not appear in the agreement with the user or the payment rules of the organisation. The contracred can only be targeted at the organization. If no agreement can be reached on the level of individual remuneration, each of the parties may present the question of the Copyright Board of the Sea, cf. § 47.

Paragraph 3. Payment requirements as referred to in section 50 (5). 4, approved organizations wishing to make use of the workshop in accordance with section 35 must be made at the same time to the users.

Paragraph 4. The provision of Section 49 shall apply mutatis mutias to the cost of payment in accordance with the provisions laid down in paragraph 1. The provisions of 1 and 2.

§ 52. If negotiations on the conclusion of contracts referred to in paragraph 13, paragraph 1, One, section 14, section 16 b, section 17, paragraph 1. 4, section 24 a, and section 30 a does not lead to any result, each of the Parties may require mediation.

Paragraph 2. Mediation requirements are addressed to the Minister for Culture. The requirement may be made when one of the parties has interrupted the negotiations or rejected a request for negotiations, or when negotiations do not seem to lead to any result.

Paragraph 3. The mediation shall be carried out by a conciliator appointed by the Minister for Culture. The conciliation procedure must be based on the possible solutions proposed by the parties. The Conciliation Man may propose the parties to settle the dispute by arbitration and can contribute to the designation of arbitrators.

Paragraph 4. The conciliation man may submit proposals to the dispute settlement and may require that such a proposal be submitted to the competent bodies of the Parties to the adoption or rejection before any one of the conciliators stipulate that. The Conciliation Man will inform the culture minister of the outcome of the mediation.

Paragraph 5. The Conciliation Man can decide that agreements should remain in force, even though the contract period has expired or will expire during the negotiations. However, the Agreement may not be extended for more than two weeks after the parties have taken a position on a final mediation proposal or a proposal for arbitration, or after the conciliator has announced that there is no basis for submitting such proposals.

Paragraph 6. Whoever has been or has been a conciliator must not unhew or exploit what this has been known to be a conciliator.

Paragraph 7. The Minister for Culture may lay down detailed rules concerning the cost of the costs of the settlement of the Conciliation Man.

Chapter 3

Copyright transition to other

General provisions

§ 53. The author of the sea may, with the limits arising from sections 3 and 38, completely or partly give his right to his rights.

Paragraph 2. The transfer of copies shall not include the transferability of copyright.

Paragraph 3. Has the originator delegated a right to use the plant in a particular manner or by certain means, does not give the transferee the right to use the works in other ways or by other means.

Paragraph 4. The provisions of section 54-59 concerning the transfer of copyright may be deviated from the agreement between the parties, unless otherwise provided for in the individual provisions.

§ 54. The transferee has a duty to take advantage of the transferable rights. The author may terminate the Agreement on 6 months ' notice to the extent that the exploitation has not been launched within three years of the date on which the agreement has been fulfilled by the author. However, this shall not apply where the use is implemented before the end of the alert.

Paragraph 2. The provision in paragraph 1 shall be 1 may not be departed unless it is only a change in the time limits specified.

§ 55. (Aphat)

Changes and transfer

§ 56. The transfer of copyright does not give the transferee the right to modify the plant, unless the change is usually changed or evidently provided.

Paragraph 2. The transfer of copyright does not give the transferee the right to transfer copyright unless the transfer is otherwise provided, or provided, provided that it is otherwise provided. The overkill will remain responsible for the fulfils of the agreement with the originator.

Afreing and checking

§ 57. If the author ' s remuneration depends on the purchase of the transferee, sales figures or similar cases, the author may require at least once a year to be paid. The author may also require that the check be accompanied by adequate information on the conditions which have been used for the payment calculation.

Paragraph 2. The author may require the acquisition of accounts, bookkeeping and inventory, as well as attestations from the one that has taken advantage of the plant at the annual calculation of paragraph 1. 1 shall be made available to one of the author ' s designated state authorised or registered auditor. The accountant must inform the originator of the accuracy of the undertaking and of any irregularities. Moreover, the auditor has a duty of secrecy about every other relationship that this is known to be aware of.

Paragraph 3. The provisions of paragraph 1. 1 and 2 may not be deviated to the detriment of the originator.

Special provisions relating to the recording of films

§ 58. An agreement to contribute to the recording of a film means that the author cannot resist the fact that :

1) producing specimens of the film,

2) copies of the film shall be disseminated to the public ;

3) the film shall be made public or

4) the film pretexts texts, or speak in a different language.

Paragraph 2. The provision in paragraph 1 shall be 1 shall not apply to :

1) existing works already,

2) the storyboards, dialogues and works produced in the manufacture of the film ; or

3) the main director of the film.

Provisions concerning non-transferable remuneration requirements for rental of car-led and light-recording equipment

§ 58 a. Has a copywriter of a producer of a vehicle-led or sound recording of his right to make a work accessible to the public, has the originator entitled to a reasonable remuneration from the manufacturer for the rental. The right to remuneration can only be exercised through organisations representing the individual groups of rightholders. The provisions of 1. and 2. Act. cannot be waisted by agreement.

Special provisions relating to computer programs produced in function conditions

$59. Copyright to a computer program produced by an employed person during the performance of his work or by the employer ' s instructions shall be transferred to the employer.

Powned Portraits

§ 60. The author of the sea cannot exercise his rights to an ordered portrait image without the consent of the orator.

Arv and AP Persecution

§ 61. In the case of the death of the originator, the general rules of the archovat shall apply to copyright.

Paragraph 2. In the case of a will, the author with a binding effect can also provide information on the exercise of copyright or leave it to someone else in the will to make it compulsory for spouse and to life heirs.

§ 62. The right of the Copyright by the Sea of the Sea cannot be made subject to the subject of a credit to the author or of anyone who has not, according to either marriage or inheritance, to whom the court has been handed over to him.

Paragraph 2. Creditors shall not be prosecuted by either the author or anyone else who is inheritance by marriage or inheritance, where the pursuit of which is directed is not,

1) manuscripts

2) the stocks, records, shapes, moulds or so on which a work of art can be performed ; or

3) specimens of works of art not exhibited, offered for sale or otherwise approved for publication.

Chapter 4

Validity of the Copyright

§ 63. Copyright for a work of goods shall be the year after 70 years after the death year of the author or of the works referred to in section 6 after the death year of the longitude. However, in the case of cinema, copyright is the subject of the period after the death year for the longest living of the following persons :

1) The chief instructor,

2) the author of the dreamy ;

3) the author and

4) the composer of music, specially produced for use in the cinema.

Paragraph 2. Copyright from a music project with text, where both text and music produced are specifically addressed to the body in question with text, goods, up to 70 years after the death year for the longitudinal living of the following persons :

1) The text author and

2) composer

Paragraph 3. When a work has been published without specifying the author ' s name, general known pseudonym or mark, goods copyrights, until 70 years have been run by the end of that year, when the plant was published. The plant of several parts, volumes, books, numbers or series, shall be subject to a separate protection period for each part.

Paragraph 4. If the author during that period is specified in accordance with section 7 or if it is informed that he is dead, before the plant was published, the time of validity shall be taken into account in accordance with paragraph 1. 1.

Paragraph 5. For works that have not been published and whose authors are not known, the copyright of copyright shall be subject to 70 years after the end of the year in which the plant was created.

§ 64. Where a work has not been published in the past, it shall, for the first time, legally publish or publish the plant at the end of the copyright protection, rights to the plant equal to the economic rights of the law in the law ; the one that brings in a literary or artistic creation. Protection of goods until the end of the year, at the end of the year at which publication or publication took place, has been carried out.

Chapter 5

Other Rights

Experts artists

§ 65. The performance of a performers of a literary or artistic work must not, without the consent of the artist,

1) recorded on tape, film or other direction to render it, or

2) is made available to the public.

Paragraph 2. The entry shall be recorded as set out in paragraph 1. 1, no. 1, without the consent of the Executive of the Executive, it shall not be made available to the public, before 50 years, after the end of that year, as the progress took place.

Paragraph 3. If a recording of a performance, cf. paragraph 1, no. 1, which is not a recording recording, shall be published or published in the time room referred to in paragraph 1. 2, lasts protection, however, until 50 years is the end of the year in which the first publication or publication took place according to which the first date of publication was taken.

Paragraph 4. If a sound recording of a performance, cf. paragraph 1, no. 1 shall be published or published in the time room referred to in paragraph 1. 2, goods shall, however, take up the matter until 70 years after the end of the year in which the first publication or publication took place according to which the first date of publication was taken.

Paragraph 5. An agreement between a performer and a film producer to play a part in recording a film means that the performer in the absence of the agreement is presumed to have transferred his right to the production of the film to the producer.

Paragraph 6. The provisions of section 2 (2). 2-4, section 3, 7, 11 and 11 a, section 12, paragraph 12. Paragraph 1 (1). 2, no. 5 (5). 3. 4, no. Paragraph 1 and paragraph 1. FIVE, ONE. pkt., sections 13, 15, 16 and 16 a, section 17 (4). 1, 2 and 4, section 18 (4). 1 and 2, section 19 (4). 1 and 2, and § § 21, 22, 25, 25 a, 27, 28, 30 a, 31, 34, 35, 39-47, 49-57, 58 a, 61 and 62 shall apply mutatis mutations to the performance and recordings of the performers of the Executive.

Acquisitions of sound recording

§ 66. Sound recording shall not be made available without the express consent of the manufacturer or made available to the public, before 50 years has been run by the end of the year when the recording took place. However, if an audible recording is published within this period of time, the duration of the protection shall be carried out until 70 years after the end of the year in which the first publication took place. If an audible recording is not published, it shall be published in another way within 1. Act. However, the period referred to above shall, for a period of 70 years, have been run by the end of the year at which the publication took place.

Paragraph 2. The provisions of section 2 (2). 2-4, section 7, paragraph 7. Paragraph 1, section 11, paragraph 11. 2 and 3, sections 11 a, section 12, paragraph 12. Paragraph 1 (1). 2, no. 5 (5). 3. 4, no. Paragraph 1 and paragraph 1. FIVE, ONE. pkt., sections 13, 15, 16 and 16 a, section 17 (4). 1, 2 and 4, section 18 (4). 1 and 2, section 19 (4). 1 and 2, and § § 21, 22, 25, 25 a, 27, 28, 30 a, 31 and 34, section 35 (4). Articles 4 and 5, sections 39 to 47 and 49 to 52 shall apply mutatis mutias to the use of sound recordings.

Paragraph 3. By way of derogation from paragraph 1 1 may speed up the radio or television broadcasts of cable installations and transmit to the general public by means of radioinstallations, where this occurs without any change and at the same time as the transmission takes place.

Termination of agreement on the transfer of the rights of an executive

§ 66 a. An executive may bring an end to the agreement by which the performer has transferred or transferred his rights to the recording of its performance to a manufacturer of sound recordings, when 50 years has elated, after the date of the period of 50 years ; the recording was published or, where such publication has not taken place, when the time of the recording was made public, after the date of the recording of the recording, the recording was published.

1) provide for the sale, in sufficient degree and, of the recording of the sound recording.

2) make the sound recording available in such a way that the public access is accessible at an individual selected location and time, cf. Section 2 (2). 4, no. 1.

Paragraph 2. If the performer will bring an end to the agreement, cf. paragraph 1, it shall be done on 1 year ' s notice. The Agreement may then be terminated if the manufacturer of the recording equipment does not carry out both the use of the services provided for in paragraph 1. 1, no. 1 and 2 before the end of the alert period. The performer cannot give up its right to terminate the agreement.

Paragraph 3. If an agreement is brought to an end in accordance with paragraph 1, 1, the manufacturer ' s own rights shall be discontinued, cf. § 66, for the sound recording to which the agreement relates.

Right to an annual additional remuneration

§ 66 b. If a performer has surrendered his rights to the sound recording of a performance of a production of sound recording and have agreed a right to a disposal boar, it shall have the right to an annual supplementary remuneration from the manufacturer of the the recording of the recording for each full year following the period following the date of the recording of the recording or, where such publication has not taken place, after the date of sound recording of the recording, after the date of sound recording, after the recording of the recording. The performer cannot give up its right to an annual supplementary remuneration.

Paragraph 2. A manufacturing of the light recording shall be made for payment of the amount referred to in paragraph 1. 1 mentioned remuneration. The total amount to be executed must correspond to 20%. the revenue of the manufacturer in the year prior to the payment of the remuneration. The remuneration shall be calculated from the reproduction of the manufacturer of reproduction, distribution and availability of the sound recording when 50 years have passed since the recording was published or, where such publication has not taken place, when 50 years old ; the process after the recording of the recording was made public.

Paragraph 3. The remuneration shall be paid and administered by one of the Minister for Culture approved management organisation.

Paragraph 4. At the request of the performer or the former in paragraph 1. 3 approved management organisation shall make up to the recording of a recording of information which may be necessary in order to ensure the payment of the additional remuneration.

Paragraph 5. The Minister of Culture provides for detailed rules on the procedure for the approval of such a management organisation.

§ 66 c. If an executive has transferred his rights to the sound recording of a performance of a production of sound recording and have agreed a right to an ongoing payment, neither advance payment nor contractual deduction shall be deducted from deduction ; payments of the ongoing remuneration to the performer in the course of 50 years after the recording of the recording was published or, where such publication has not taken place, when the time of the recording of the recording was made.

Captures of image recordings

§ 67. Image recordings shall not be made available without the express consent of the manufacturer or are made available to the public, before 50 years of age after the end of the year when the recording took place. However, if an image is published or published within this period, the duration of the matter shall be taken up to 50 years after the end of the year in which the first publication or publication took place, according to which time it is ; First.

Paragraph 2. The provisions of section 2 (2). 2-4, section 7, paragraph 7. Paragraph 1, section 11, paragraph 11. 2 and 3, sections 11 a, section 12, paragraph 12. Paragraph 1 (1). 2, no. 5 (5). 3. 4, no. 2, and paragraph 1. FIVE, ONE. pkt., sections 13, 15, 16 and 16 a, section 17 (4). One and four, section 18, paragraph 18. 1 and 2, section 19 (4). 1 and 2, section 22, 25, 25 a, 27, 28, 30 a, 31, 32 and 34, section 35 (4). 4 and 5, section 39-47 and 49-52 shall apply mutatis mutatively to image recordings.

Paragraph 3. By way of derogation from paragraph 1 1 may be broadcast on cable television recordings, transmitted over cable installations and broadcast to the public by means of radioinstallations, where this occurs without any change and at the same time as the transmission takes place.

Remuneration for use of sound recordings on radio and television and so on.

§ 68. Notwithstanding the provisions of section 65 (3). 2-4, and § 66, paragraph. 1, the given recording equipment must be used for radio and television broadcasting and to other public pros. The provision in 1. Act. does not apply to public performance in the form of a grant of insubordination of the sound recording of the given, that the general public shall have access to them at an individual selected location and time, cf. Section 2 (2). 4, no. ONE, TWO. joints.

Paragraph 2. The performers and the grooves of sound recordings are entitled to remuneration. The veal can only be applied through one of the Minister for Culture approved the joint organisation, which includes performers as well as the producers of sound recordings. If no agreement can be reached on the level of remuneration, each of the parties may present the question of the Copyright Board of the Sea, cf. § 47.

Paragraph 3. The Minister for Culture shall lay down detailed rules on proceedings relating to the approval of the common organisation referred to in paragraph 1. 2.

Paragraph 4. The provisions of paragraph 1. 1 and 2 shall not apply to broadcasting in television and other public projecting of cinemas, if sound and image are sent or produced simultaneously.

Paragraph 5. If the holder of an audio recording in accordance with this provision does not pay the remuneration determined by the Parties ' agreement or by the Copyright List of the Parties, the judgment may be determined that the only use can be made by : the consent of the rightholders until payment has been made.

Radio and Television enterprises

§ 69. A radio or television broadcaster shall not, without the consent of the radio or television company, be sent out by other or other means of public use. They shall not, without consent, be photographed or recorded on tape, motion or other direction which may reproduce it.

Paragraph 2. Is a broadcast of photographed or recorded as set out in paragraph 1. 1, without the consent of the operation without the consent of the operation, it shall not be made available to the public, before 50 years of age, after the end of the year, when the transmission took place.

Paragraph 3. The provisions of section 2 (2). 2-4, section 7, paragraph 7. Paragraph 1, section 11, paragraph 11. 2 and 3, sections 11 a, section 12, paragraph 12. Paragraph 1 (1). 2, no. 5 (5). 3. 4, no. 2, and paragraph 1. FIVE, ONE. pkt., section 15-16 a, section 17, paragraph. 1 and 2, section 19 (4). 1 and 2, sections 21, 22, 25 and 25 a, section 27 (4). Amendments Nos 1 and 3, sections 28, 31, 32 and 39-46 a shall apply mutatis mutations to radio and television broadcasts.

Photographic Photographic Photo

§ 70. The image of a photographic image (photographer) has the exclusive right to use it by producing copies of it and by making it available to the public.

Paragraph 2. The right to a photographic image lasts up to 50 years after the end of the year when the picture was manufactured.

Paragraph 3. The provisions of section 2 (2). 2-4, section 3, 7, 9, 11 and 11 a, section 12, paragraph 12. Paragraph 1 (1). 2, no. 5, and paragraph 1. 3, sections 13-16 b, section 17 (3). One and four, section 18, paragraph 18. 1 and 2, section 19 (4). One and two, section 20, 21 and 23, section 24, paragraph 20. 1 and 2, and § § 24 a, 25, 25 a, 27, 28, 30-31, 34, 35, 39-47, 49 to 58 and 60-62 shall apply to photographic images. If a photographic image is the subject of copyright pursuant to section 1, this may also be applied.

Catalogs and other catalogs

§ 71. The person who produces a catalogue, a table, a database or similar in which a large number of information has been made or which is the result of a substantial investment has the exclusive use of the relevant work as a whole or one ; significant part of it by producing copies of it and by making it available to the public.

Paragraph 2. The provision in paragraph 1 shall be 1 shall apply mutatis mutines to the general public of non-essential parts of the contents of a catalogue, a table, a database or similar which is carried out on several occasions and systematically, provided that they have been mentioned ; actions may be equated by acts which are contrary to the normal exploitation of the works concerned, or which damages the legitimate interests of the manufacturer unduly.

Paragraph 3. Is working on the one in paragraph 1. Paragraph 1 or parts thereof may also be subject to the subject of copyright or any part of its copyright or other protection.

Paragraph 4. The protection provided for in paragraph 1 1 goods up to 15 years have been run by the end of the year in which the work was manufactured. However, where a work of the mentioned species is made available to the public within this period of time, the duration of the protection period shall be the end of the year after the first time the work was made available to the public.

Paragraph 5. The provisions of section 2 (2). 2-4, section 6-9, section 11, paragraph 11. 2 and 3, section 12 (2). Paragraph 1 (1). 2, no. 4 (4). 4, no. 3, and paragraph 1. FIVE, TWO. PC, sections 13 to 17, section 18 (4). 1 and 2, section 19 (4). 1 and 2, section 20, 22, 25, 27, 28, 30-32, 34 and 35, section 36 (3). The provisions of paragraphs 2 and 3, sections 47 and Cla-52 shall apply mutatis muy to the catalogs, tables, databases, etc., as referred to in paragraph 1. 1.

Paragraph 6. Agreement terms extending the right of the manufacturer ' s right in accordance with paragraph 1 shall be made. 1 to a published work is void.

Press releases

§ 72. Press releases which, by agreement are delivered from foreign news agencies or from correspondents abroad, may not be made available to the public by means of the press, radio or in other similar manner before 12 hours after the consent of the recipient of the consignon. they have been published in Denmark.

Chapter 6

Various provisions

Title protection and so on

§ 73. A literary or artistic work must not be made available to the public under a title, a pseudonym or a label which is suitable for the presentation of confusion with a previously published work or its author.

Paragraph 2. If the publication of the work previously published has been less than three months prior to publication of the other work, the provision shall be made in paragraph 1. Paragraph 1 shall not apply, unless a change may be assumed to be intentional.

Signing of works of art

§ 74. In a work of art, the name or mark of the artist must not be placed on the side of the artist other than the artist himself, unless it has consents to it.

Paragraph 2. The name or mark of the Artist must not, in any case, be subject to a copy, in such a way that it may be confused with the original.

Idea rights after the expiry of the law

§ 75. Although copyright has expired, a literary or artistic work must not be altered or made available to the public in breach of section 3 (3). 1 and 2, whose cultural interests are being violated.

Public performance of music works

§ 75 a. Commercial business, whereby a representative of the holder of the copyright or a contractual holder of this right shall conclude contracts for the public performance of a record of a record protected by this law ; Minister of Culture. The Minister may lay down detailed terms for the approval. Contracted contravention of 1. and 2. Act. is invalid.

Paragraph 2. The Minister for Culture shall lay down detailed rules on the proceedings relating to the approval referred to in paragraph 1. 1.

Paragraph 3. Provides an organisation and so on approved in accordance with paragraph 1. 1, unfair terms and conditions for authoriting public performance of music works may be subject to the application of the conditions for the performance of the Member State of the European Agreement. § 47, paragraph. TWO, TWO. pkt., and paragraph. 3, shall apply mutatis mutis.

Chapter 6 a

Technical measures, etc.

$75 b. It is not permitted to convert or commercially spend money, the sole purpose of which is to facilitate unlawful removal or circumvention of technical information used to protect a computerised program.

§ 75 c. It is not permitted without the consent of the rightholder to make the circumvention of effective technical measures.

Paragraph 2. It is not permitted to manufacture, import, propagate, sell, rent, advertency, advertising of sale or rental of, or commercially, for reasons, products or components that are used,

1) are the subject of sales promotion, advertising or marketing for the purpose of circumventing effective technical measures ;

2) limited commercial or commercial use other than circumventing effective technical measures, or

3) have been developed, produced, adapted or provided, in order to facilitate or process effective technical measures.

Paragraph 3. The provision in paragraph 1 shall be 2 shall apply mutatis mutis to services.

Paragraph 4. For effective technical measures referred to in paragraph 1, 1 and 2 shall mean any effective technical measures which, during their normal functioning, are designed to protect works and other products and other applications, etc., which are protected under this law.

Paragraph 5. The provisions of paragraph 1. 1-4 shall not apply to the protection of computer programs.

Paragraph 6. The provisions of paragraph 1. 1-4 shall not preclude research in the field of encryption.

§ 75 d. Copyright restricted area, cf. § 47, paragraph. 1, may request a rights holder who has made use of the in section 75 c (1) ; 1, above all effective technical measures, to make such funds available to a user who are required to benefit from the provisions of sections 15 and 16, section 17, paragraph 1. One-three, paragraph 18, paragraph 18. One and two, section 21, paragraph. 1, no. 2, section 23, paragraph. 1, section 26-28, 31 and 68. In the case of the non-member security system, the holder shall not be able to decide in paragraph 75 c (c) of the derogation. 1, make circumvention of the technical measure. The provisions of 1. and 2. Act. apply only to users who have legal access to the works or the application and so on.

Paragraph 2. The provision in paragraph 1 shall be Paragraph 1 shall apply only to the extent to which the rightholder does not, in the case of non-voluntary measures, including agreements with other parties involved, have ensured that, regardless of the use of effective technical measures, the user may benefit from the benefits referred to in paragraph 1. Paragraph 1 has been mentioned.

Paragraph 3. The provision in paragraph 1 shall be Paragraph 1 shall not apply to works and other applications, etc., which are made available to the public on contractual terms and conditions in such a way that the public has access to them at an individual selected location and time, cf. Section 2 (2). 4, no. ONE, TWO. joints.

§ 75 e. It is not permitted without the consent of the rightholder to

1) remove or modify electronic rights management information ; or

2) perform an exemplary spread, import for the purposes of the dissemination or transfer to the public knowledge of works and other applications, etc. where the electronic information on rights management has been removed or changed without the consent of the works.

Paragraph 2. The provision in paragraph 1 shall be 1 shall apply only where the acts in question are carried out by a person who knows or should know that the proceedings are anchorages, facilitates, facilitates or conceal a violation of the right to a work or other generation and so on which are protected in the case of : Under this law.

Chapter 6 b

Orphans

Definition of an orphan work and so on.

§ 75 f. An orphan ' s work shall mean a work or a sound recording where none of the rightholders for the plant or the sound recording have been identified or, even if one or more of the rightholders is identified, none of the rightholders is ; located, despite the fact that there has been and registered a careful search for the rightholders, cf. $75 j.

§ 75 g. If a work or recording has more than one right holder and not all of them have been identified or, although identified, have not been identified, the plant or the sound recording may be used in accordance with this Chapter, provided that they have been identified ; identified and localized rightholders authorizing their use in relation to the rights they are holders of.

Begunstiated Organizations

§ 75 h. In order to meet the objectives linked to the taking of their non-profit tasks, the following organisations established in Denmark may use orphans :

1) Public libraries available, educational establishments and museums.

2) Archives and film and obedials institutions.

3) Public service radio and television companies.

Included Material

§ 75 i. This chapter shall apply to :

1) works in the form of books, journals, newspapers, magazines and other material written in written form, which are contained in the collections of the organisations mentioned in section 75 h, nr. 1 and 2, and which are first published in a country within the European Economic Area,

2) cinema and sound recordings which exist in the collections of the organisations mentioned in section 75 h, nr. 1 and 2, which have not been published, published in a country within the European Economic Area, and shall not be published until :

3) cinema and sound recordings, which are contained in the archives of public service broadcasters produced by them before 1 of the first paragraph. In January 2003, published or, where publication has not taken place, issued in a country within the European Economic Area.

Paragraph 2. This Chapter shall apply mutatis muters to the provisions of paragraph 1. 1 the said works and the date of sound recorders which have never been published or published, but which have been made publicly available by the organisations referred to in section 75 h of the rights holder. 1. Act. where applicable, only where it can reasonably be assumed that the rightholders would not contradict the services provided for in section 75.

Paragraph 3. This Chapter shall apply mutatis mutations to works and products protected under Section 65-71, which are nested or incorporated or constitute an inseparable component of the works and the sound recording referred to in paragraph 1. 1.

Careful search

$75 j. In order to establish whether a work or recording is an orphan, they shall, in section 75 h, be required to carry out a careful search for each piece or recording. The organisations in section 75 h mentioned organisations may be able to allow other organizations to carry out this careful search.

Paragraph 2. The careful search must be carried out within the European Economic Area of the European Economic Area, where the plant or the sound recording is issued for the first time, or, if publication has not taken place, where the first date has been carried out. However, if the producer of a cinema has its headquarters or resides in a country within the European Economic Area, the careful search must be carried out in the country where the producer has its head seat or is resident.

Paragraph 3. For works and sound recordings covered by section 75 of the provisions of paragraph 75, 2, the careful search must be carried out in Denmark.

Paragraph 4. For works and products covered by section 75 of the provisions of paragraph 75, 3, the careful search must be carried out in the country within the European Economic Area, where the careful searching for the work that contains the embedded or incorporated work is done.

Paragraph 5. Where there are indications that relevant information on a holder of the right is present in other countries, a search must also be carried out in sources of information available in these other countries.

Paragraph 6. The organisations in section 75 h mentioned organisations must keep records of the careful searches that they carry out.

Paragraph 7. The organisations referred to in section 75 h mentioned organisations must provide the following information to the Ministry of Culture, in relation to the meticultural search,

1) The results of the meticulary search.

2) The use of the orphan works.

3) Any change to the status of an orphan.

4) Relevant contact information.

Paragraph 8. The Minister of Culture shall lay down rules on the content of the meticultural search, including the sources to be consulted for the careful search and on the information to which the organisations referred to in section 75 h are required to submit ; The Ministry of Culture.

Extline status as orphaned

§ 75 k. A work or a sound recording which, in accordance with the legislation of another country within the European Economic Area, is considered to be an orphan ' s work shall also be considered to be an orphan ' s work in Denmark.

Allowed uses of orphan works

§ 75 l. In order to meet the objectives linked to the taking of their non-profit tasks, they must in section 75 h ' s organisations

1) provide the parental work in such a way that the general public is given access to it at an individual selected location and time, cf. Section 2 (2). 4, no. 1, and

2) producing copies of the orphan work for digitalisation, for the general public, as provided for in the general public, in accordance with the case of the public. no. 1, indexing, cataloguing, preservation, or restoration.

Paragraph 2. The organisations may be able to carry out revenue for the use of orphan works which are intended solely to cover the cost of digitalisation and the availability of the public orphan works.

Paragraph 3. In the case of an orphan work, the name of an identified security holder shall be identified.

Un-Orphans Status

§ 75 m. If a rightholder is addressed to the organization using the orphan work, the work in question or the sound recording concerned shall cease to be orphaned.

Paragraph 2. If the status of an orphan is brought to an end, the rightholder shall be entitled to receive reasonable compensation from the organisation which, in accordance with the provisions of this chapter, has applied the orphan work.

Chapter 7

Law enforcement

Punishment

SECTION 76. With fine punishment, it shall be punished, as intentionally or gross negligent

1) violates § 2 or § 3,

2) is in breach of section 65, 66, 67, 69, 70 or 71 ;

3) in violation of section 11 (1). 2, § 60 or § § 72-75,

4) omits to forward statement or information in accordance with section 38 (3). 7,

5) not report or fail to provide information to the joint organisation in accordance with section 41 (1). Paragraph 1, section 42, paragraph. 6, section 46, 1. PC or fails to keep or keep accounts pursuant to section 45 or

6) are in violation of any provisions referred to in section 61 (2) ; 2.

Paragraph 2. Is a breach of the contraction in paragraph 1. 1, no. THE PROVISI OF THE PROVISING OF THE PROVISING OF THE PROVISING OF THE PROVISPING PROVISING OF THE PROVISING OF THE PROVISING OF THE PROVISING OF THE PROVISING OF THE PROVISING OF THE PROVISING OF THE PROVISING OF THE PROVISING OF THE PROVISING Months unless higher penalties have been washed after the penal code section 299 (b). In particular, the conditions shall be considered to be available where the infringements occur in commercial terms if it is produced or included in the general public a significant number of copies, or if works and applications are rendered in such a way that they are carried out in such a way as to : the public shall have access to them at an individually selected location and time, cf. Section 2 (2). 4, no. ONE, TWO. joints.

§ 77. Where, in such circumstances, copies of works or applications protected under section 65-71 have been manufactured outside Denmark, in such circumstances that a similar manufacture in Denmark would be in breach of the law, punished by fine, as intentionally or in particular, such copies shall be adopted in order to make them available for the public.

Paragraph 2. The provision in section 76 (3). The provisions of paragraph 2 shall apply mutatis muyas to deliberate infringements of the provision in paragraph 1. 1.

§ 78. With fine penalties, it shall be punished, as intentionally or gross negligent, section 75 b or 75 c. With fine punishment, it is punished, as intentionally contravening section 75 e.

§ 79. The rules laid down in accordance with paragraph 31 (1). 2, section 42, paragraph. 4, section 43, paragraph. 2, section 44 (4). Article 45 (2) and Section 45 (3). 2, the penalties shall be imposed on penalties for breaches of the provisions laid down in the regulations.

$80. Companies can be imposed on companies, etc. (legal persons) punishable by the rules of the penal code 5. Chapter.

Commenable

§ 81. Extremes covered by Section 76 (3). Paragraph 1, section 77, paragraph. One, or paragraph 79, is claimed by the uncorrected.

Paragraph 2. After the death of the author, Clause 3 and of them may be infringable under Section 61 (2). 2, given the rules, they shall also be claimed by the author ' s spouse, relative to the ascending or descending line or siblings.

Paragraph 3. After the death of the author, sections 3 and 73-74 may also be referred to in the public sector. However, in the event of infringements of paragraph 3, public claims may only take place where cultural interests are to be considered to be violated by the infringement.

Paragraph 4. By way of derogation from paragraph 1 Paragraph 75 is alleged to be violations of section 75 of the public sector.

Paragraph 5. Extremes covered by Section 78, cf. section 75 (b) and § 75 c (3) ; Two, spoken of by the public.

Paragraph 6. Extremes covered by Section 78, cf. § 75 c (3) (c) 1, and § 75 e, claimed by the uncorrected.

$82. Extremes covered by Section 76 (3). Paragraph 2, or section 77 (2). Two, only in accordance with the request of the aberrative unless the general public is required to make a claim.

Replacement and compensation

§ 83. The provisions of section 76 and 77 of the provisions referred to in sections 76 and 77 shall be discharged ;

1) a reasonable remuneration for the uproog for exploitation and

2) a replacement for the prejudicing of the additional damage caused by the infringement.

Paragraph 2. By fixing the compensation provided for in paragraph 1. 1, no. In particular, account shall be taken of, inter alia, the loss of profit and the loss of unjustified profits by the wronged by the offence.

Paragraph 3. In matters covered by paragraph 1. In addition, a compensation may be fixed to the damaged non-economic injury.

Exhibitions, etc.

§ 84. The courts may decide that copies which infringe the right to works or to make applications protected under Section 65-71 shall be subject to :

1) revoked from trade ;

2) definitively removed from trade ;

3) destroyed or

4) extradited to the imputed one.

Paragraph 2. Paragraph 1 shall apply mutatis mucous use to materials, nets. Parable that has primarily been used for the illegal manufacture or use of copies of the plant or to the application.

Paragraph 3. Measures taken pursuant to paragraph 1. One must be implemented without any compensation to the violation and without prejudice to a possible replacement to the wronged. The measures shall be carried out on behalf of the infringement, unless special reasons are opposed to such measures.

Paragraph 4. By a judgment on measures taken in accordance with paragraph 1. 1 the right must take account of the need to be proportionate between the extent of the offence and the orders of the legal remedies and the interests of third parties.

Publication of judgments

§ 84 a. In a judgment whereby someone is sentenced in sections 83 or 84, the court at the request of the court may decide that the verdict is published in its entirety or in deductions.

Paragraph 2. The obligation for the publication shall be the subject of the violation. The publication shall be carried out on behalf of the offence and in such a prominent manner as to which it is reasonably possible.

Dissemination of information

Section 84 b. Where customs and tax administration are given a request for infringements covered by Section 76 or 77, information on this may be disclosed to rightholders.

Chapter 8

Scope of the law

Copyright

§ 85. The law's provisions on copyright apply

1) works of persons who are nationals of or resident in a country within the European Economic Area,

2) works published the first time in a country within the European Economic Area, or which have been published for the first time simultaneously in a country within the European Economic Area and in another country,

3) cinemas if the producer has its head office or is resident in a country within the European Economic Area,

4) buildings situated in a country within the European Economic Area, and

5) works of works which have been added to buildings or plants in a country within the European Economic Area.

Paragraph 2. For the application of paragraph 1. 1, no. 2, at the same time, shall be deemed to have taken place where the plant after publication in another country within 30 days shall be published in a country within the European Economic Area.

Paragraph 3. The provision in § 38 applies to the works of persons who are nationals of or residing in a country within the European Economic Area.

Paragraph 4. The provision in section 64 applies to publications or publications carried out by

1) persons who are nationals of or resident in a country within the European Economic Area, or

2) companies which have the headquarters of a country within the European Economic Area.

Paragraph 5. The provisions of section 73 to 75 shall apply to any work.

Other Rights

§ 86. The provision in section 65 applies to :

1) any condensions which have taken place in a country within the European Economic Area, and

2) the resulting contests that have been reproduced on sound recorders protected under the provision of paragraph 1. 2.

Paragraph 2. The provision in section 66 applies to :

1) sound recordings which have taken place in a country within the European Economic Area,

2) sound recordings made by people who are nationals of or resident in a country within the European Economic Area, and

3) sound recorders made from companies which are the headquarters of a country within the European Economic Area.

Paragraph 3. The provision in section 67 applies to :

1) image recordings which have taken place in a country within the European Economic Area,

2) image recordings made by people who are nationals of or resident in a country within the European Economic Area, and

3) image recordings made from companies which are the headquarters of a country within the European Economic Area.

Paragraph 4. The provision in section 69 applies to :

1) radio and television broadcasts which have taken place in a country within the European Economic Area, and

2) radio and television companies having the headquarters of a country within the European Economic Area.

Paragraph 5. The provision in section 70 applies to :

1) photographs of persons who are nationals of or resilient in a country within the European Economic Area ; and

2) photographs annexed to buildings or plants in a country within the European Economic Area.

Paragraph 6. The provision in section 71 applies to :

1) catalogs etc., produced by people who are nationals of or resident in a country within the European Economic Area, and

2) catalogs etc., which are made by companies that are the headquarters of a country within the European Economic Area.

Paragraph 7. The provisions of paragraph 1. 6 shall apply mutatis muth to press releases as referred to in section 72.

Paragraph 8. By way of derogation from paragraph 1 Paragraph 1 shall apply to the provision in section 65 (3) 1, relating to the recording of all sound recording of the resulting contests. By way of derogation from paragraph 1 Paragraph 2 is applicable to section 66 (2) 1, on the statement of compliance for all sound recordings. Notwithstanding the provisions of paragraph 1 Paragraph 1-4 shall apply to the provisions of section 65 (3). 2-4, section 66, paragraph. Paragraph 1, section 67, paragraph. 1, and section 69 (3). 2, on the dissemination of copies to the public for all transmissions, sound recordings, image recordings, and radio and television broadcasts.

Special provisions relating to radio and television broadcasts via satellite

§ 87. Radio and television broadcasts via satellite shall be deemed to be taking place in Denmark if the signalling signals intended for the general public, under the control and responsibility of a broadcaster, are imported into an unbroken ; chain of transmission that leads to the satellite and down on Earth.

Paragraph 2. Submissions via satellite shall also be considered in Denmark where the introduction in the chain of transmission is carried out in a country which is not a member of the European Economic Area and which does not have the level of protection laid down in Chapter II of the Council ; Directive 93 /83/EEC of 27. September 1993 on the coordination of certain provisions relating to copyright and related rights in the context of broadcasting via satellite and further dissemination by the Member State of the European Union. cable, in the following cases :

1) If the software-bearing signals are sent to the satellite from a uplink station here in the country. Rights in accordance with sections 2, 64 and 65-73 can then be applied to the people who run the station.

2) If a uplink station is not used in an EEA Member State and a radio or television undertaking which has its headquarters in this country, has prompted the introduction into the send chain. Rights in accordance with sections 2, 64 and 65-73 can then be applied to the operation.

The law's application in relation to other countries and so on.

§ 88. The Minister for Culture may lay down detailed rules whereby the application of the law under the condition of reciprocity is extended in relation to other countries.

Paragraph 2. In addition, the Minister for Culture can lay down detailed rules for the law to be made applicable to works which are only published by middle-level organisations, as well as on non-published works that such organisations have the right to publish.

Chapter 9

Entry into force and transitional provisions

$89. The law shall enter into force on 1. July 1995.

Paragraph 2. Concurrent

1) entitled to the copyright of literary and artistic works, cf. Law Order no. 1170 of 21. December 1994, and

2) law on the right to photographic images, cf. Law Order no. 715 of 8. September 1993.

§ 90. The law shall also apply to works and applications and so on which have been produced before the entry into force of the law.

Paragraph 2. The law shall not apply to utilization operations that have been completed or rights acquired before the entry into force of the law. Examples of works or applications etc. may continue to spread to the public if they are legally obtained at a time when such propagation or display was allowed. The provisions of section 19 (1). However, 2 and 3 shall always apply to rental and lending, which shall be carried out after the entry into force of the law.

Paragraph 3. If the term of protection for a work or a production or a production of the new rules shall be shorter than it would have been in accordance with the provisions in force so far, the provisions in force in the past shall be applied. The provision in section 63 (3). However, 5 shall always apply.

§ 91. The provisions of sections 54, 55, 56 and 58 shall not apply to agreements entered into before the 1. July 1995.

Paragraph 2. The provision in section 65 (3). 5 shall also apply to agreements entered into before 1. July 1995.

Paragraph 3. The provisions of section 30 (3). 5, and section 87 (3). Paragraph 2 shall not apply to agreements entered into before 1. January 1995, before 1. January 2000.

Paragraph 4. The provision in Section 59 shall not apply to computer programs produced before 1. January 1993.

Paragraph 5. The provision in section 70 shall not apply to photographic images produced before 1. January 1970.

§ 92. The special privileges and bans imposed by the older legislation will remain in force.

§ 93. The law doesn't apply to the Faroe Islands and Greenland, but he knows how to nail. be implemented in whole or in part in force for the Faeroe Islands and Greenland, with the deviations from which the special ferry or Greenlandic conditions are attributed.

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Law No 1404 of 27. December 2008 amending the trade mark law, criminal law, law on radio and television, as well as various other laws (enhanced action against piracy etc.) 2) , includes the following entry into force, etc. :

§ 9

Paragraph 1. The law shall enter into force on 1. January, 2009.

Paragraph 2. (Udelades)

Paragraph 3. (Udelades)

Paragraph 4. (Udelades)

§ 10

Paragraph 1. The law does not apply to the Faroe Islands and Greenland.

Paragraph 2. The Act of Section 1 to 6 may, by means of royalty or in part, be given in full or in part to the Faeroe Islands or Greenland, with the deviations from which the special movement or Greenland conditions are attributed.

Paragraph 3. (Udelades)

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Law No 510 of 12. June 2009 amending the copyright law (Implementation of the Services Directive, etc.) contains the following entry into force, and so on :

§ 2

The law shall enter into force on the 28th. December, 2009.

§ 3

The law does not apply to the Faeroe Islands or Greenland, but can, by means of a royal device, be brought into force for these parts of the village, with the deviations that the special ferry and Greenland conditions are saying.

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Law No 1269 of 16. December 2009 amending the law on radio and television and the copyright (Implementation of the Audiovisual Media Services Directive) 3) , includes the following entry into force, etc. :

§ 3

Paragraph 1. The law shall enter into force on the 18-1. December, 2009.

Paragraph 2. § 90, paragraph. 3, in the law of radio and television services, 4) in the form of paragraph 1 of this law. 30 shall apply only to one-track transmissions, while the entry into force of the law has been concluded or extended.

Paragraph 3. (Udelades)

§ 4

The law does not apply to Faeroe Islands or Greenland. The Act of Section 2 may, by means of a royal appliance, be put in full or in part by force for Greenland, with the changes which the Greenland conditions are saying.

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Law No 380 of 17. April 2013 on the amendment of copyright law (Prolongation of the term of protection of performers and protractors of light-recording, agreement on the transfer of the rights of the executive, performers the right to an annual supplement ; the applicable entry into force, etc.) shall include the following entry into force, etc. :

§ 2

Paragraph 1. The law shall enter into force on the 31. October 2013.

Paragraph 2. § 1, no. 3-5 shall have effect on the rights of the executive and the rights of the protractors of sound recording which are available on 1. November 2013, and which shall be brought after that date.

Paragraph 3. § 1, no. 2, has effect on the music works of text, of which at least the music station or text is protected in a country within the European Economic Area on 1. November 2013, and in the case of music, it is produced by text that will be produced after this date. § 1, no. Paragraph 2 shall not affect the use of musical works containing text which has taken place before 1. November, 2013.

§ 3

Paragraph 1. Contracts of transfer or transfer of the rights of an executive to the adoption of the performance of its performance, which has been concluded before 1. November 2013 must continue to apply after the time when the rights of the executive in accordance with the provisions of the previous provisions would have expired. This applies unless otherwise specified in the contract.

Paragraph 2. Providing contracts for the transfer or transfer of the rights of the executive to do with sound recorders entered into prior to 1. In November 2013, the performer gives the right to an ongoing remuneration, these renegotiations may be negotiated after 50 years after the recording was published or, if such publication has not taken place, when 50 years has ellaneous after the adoption of the period after the date of the period of 50 years ; The recording was made public.

§ 4

The law does not apply to the Faroe Islands or Greenland, but can, by means of a royal appliance, be set in full or in part to Greenland with the changes that the Greenland conditions say.

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Law No 741 of 25. June 2014 on the amendment of copyright law (Certain permitted uses of orphan works and alteration of the contract licensing provision for cable dissemination) contains the following entry into force, etc. :

§ 2

Paragraph 1. The law shall enter into force on the 29th. October 2014.

Paragraph 2. The law shall not apply to works or other products which have been created prior to the entry into force of the law but which do not enjoy copyright protection at the time of the entry into force of the law.

Paragraph 3. The law shall without prejudice to actions taken and rights acquired before 29. October 2014.

§ 3

The law does not apply to the Faroe Islands or Greenland, but can, by means of a royal appliance, be set in full or in part to Greenland with the changes that the Greenland conditions say.

1) The law provides for the implementation of Council Directive 91 /250/EEC of 14. 1 May 1991, 1991, no. L 122, page 42, Council Directive 92 /100/EEC of 19. In November 1992, 1992, no. L 346, page 61, Council Directive 93 /83/EEC of 27. September 1993, 1993, no. L 248, page 15, Council Directive 93 /98/EEC of 29. In October 1993, 1993, no. L290, page 9, Directive 96 /9/EC of the European Parliament and of the Council of 11. 1 March 1996, EC Official Journal, nr. L 77, page 20, Directive 2001 /29/EC of the European Parliament and of the Council of 22. 'May 2001', no. L 167, page 10, Directive 2001 /84/EC of the European Parliament and of the Council of 27. September 2001, EC Official Journal, no. In 272, page 32, Directive 2004 /48/EC of the European Parliament and of the Council of 29. April 2004, 2004, no. L157, page 45, parts of Directive 2006 /123/EC of the European Parliament and of the Council of 12. December 2006, EU-2006, nr. In 376, page 36, parts of the European Parliament and Council Directive 2007 /65/EC of 11. In December 2007, amending Council Directive 89 /552/EEC of 3. In October 1989, EU Official Journal, nr. L 332, page 27, and parts of the European Parliament and Council Directive 2011 /77/EU of 27. September 2011 amending the European Parliament and Council Directive 2006 /116/EC, EU-Official Journal 2011, nr. In 265, page 1, and the European Parliament and Council Directive 2012 /28/EU of 25. October 2012, EU-decade-2012, nr. L-299, page 5.

2) The Act of Loven Section 5 contains a modification to copyright law.

3) The Act of Loven Section 2 contains an amendment to the copyright law.

4) § 90, paragraph. 3, in the law on broadcasting activities, the basis of section 25 of the copyright law provides for access to the use of short extracts from events of great interest to the public.